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Biblical Theology

The Trinity and the Nations, (Part 2)

The Blessing of the Father The narrative of the Exodus makes it clear that Yahweh is Israel’s Father. Moses is told to declare to Pharaoh that “Israel is my firstborn son, and I say to you, ‘Let my son go that he may serve me’” (Exodus 4:22-23). In contrast to…

by Brian MarrDecember 30, 2013
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Biblical Theology

The Trinity and the Nations, (Part 1)

When reading the Old Testament, the believer faces two dilemmas. First, there is a seemingly sharp discontinuity between the universal proclamation of the gospel to the whole earth and God’s singling out of the nation of Israel. Second, the New Testament says of Jesus that “there is no other name…

by Brian MarrDecember 23, 2013
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Advent

God in Man, Man in God

John 17 contains the longest prayer that we have from Jesus, and it shows us the intimate relationship between the Father and the Son in a way that few passages do. The prayer lays out the chiastic pattern noted by Athanasius (God became man so that man could become God),…

by Peter LeithartDecember 18, 2013
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Books

Lordly Obedience

The following meditation on the incarnation is paraphrased and quoted from Karl Barth, The Doctrine of Reconciliation (Church Dogmatics, Vol. 4, Part 1) , pp. 185ff. In the incarnation, the eternal Son of God makes His way into a far country, and takes on the form of a servant. “But…

by Peter LeithartDecember 16, 2013
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Baptism

Does Baptism Justify?

Peter says "baptism saves you" (1 Peter 3:21). Does the New Testament teach that "baptism justifies you"? I think the answer is Yes. That's a controversial answer, and demands some defense and explanation, but first some critical qualifications. No New Testament text states "baptism justifies you," so my argument will…

by Peter LeithartDecember 12, 2013
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Matthew

Treasures in Matthew's Genealogy, 1

In his THI article “ Son of David, Son of Abraham ,” Peter Leithart notes that Matthew's genealogy “contains a summary of redemptive history.” This statement is only too true and one that deserves further elucidation. Biblos genese ō s. The first two words of Matthew's Gospel are usually translated…

by Kelly KerrDecember 10, 2013

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Overlapping Structures in Revelation 21-22

James Jordan has suggested that the vision of new Jerusalem (Revelation 21:9-22:5) is arranged as a chiastic recasting of the creation week: A. Day 1: Light in the city, 21:10-11 B. Day 2: Boundaries and measurements of the city, 21:12-17 C. Day 3: Materials of the city, 21:18-21 D. Day…

July 30, 2015

Show & Tell

The verb “show” ( deiknuo ) occurs eight times in Revelation, and the eight uses fall into a neat pattern. Twice at the beginning (1:1; 4:1) and twice at the end (22:6, 8), the verb is used with a generic object. God shows “things which must shortly take place” (1:1;…

July 30, 2015

Musical Bridges

In an essay on “barriers and bridges” in American religion, Stephen Warner emphasizes the role of music in building bridges, forging solidarity without requiring assent to a common set of propositions. He offers a florilegium of quotations from various scholars: “At an emotional level, there is something ‘deeper' about hearing…

July 30, 2015

Keeping Time, Keeping Together

William H. McNeill's Keeping Together in Time explores the role of “emotional bonding through rhythmic muscular movement” in history (52). The significance of the phenomenon occurred to him during military training in 1941: “A sense of pervasive movement in unison is what I recall; more specifically, strange sense of personal…

July 30, 2015

End of the End

The final chapter of the Bible (Revelation 22:6-21) is a rapid series of speeches and dialogues, structured in fourfold parallelism. Each new section introduces a new speaker or speech with some form of “he said.” The speakers move from an angel to Jesus to the Spirit and bride. The chapter…

July 29, 2015

Seven Heads

In a 2007 Bibliotheca Sacra article, Mark Hitchcock examines various theories about the identity of the seven heads of the beast in Revelation 17:9-11. It's been proposed that the number seven is purely symbolic of fulness, and that the heads are not to be identified with any historical characters. Hitchcock's…

July 29, 2015

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