Explore our collection of theological essays, biblical studies, and reflections on faith and culture.
Our creeds, taking cues from Matthew 28:18-20 and other biblical texts, speak of the order of the Trinity as “Father, Son, Spirit.” This order is evident in the order of redemption as well: the Father sends the Son, who ascends to heaven to receive and send the Spirit. Luke 1,…
The category of “relation” has long been central to Trinitarian theology, [1] but in recent theology it has become a transcendental, as many theologians have argued that relationality is the leading feature not only of divine life but of created life. [2] Human beings made in the image of the…
Listen to Trinity House President Peter Leithart discuss his article on the End of Protestantism with LCMS pastor Todd Wilken at Issues, Etc .
One of the keys to understanding the parable of the wheat and tares (Matthew 13) is to understand the time frame. Jesus is speaking in pictures and symbols about some period of history, but which? What’s the beginning, and what’s the end of the parable? Is Jesus talking about what…
Shakespeare wrote two tetrologies of English history, patriotically celebrating the Tudor monarchy by recounting its chaotic prehistory. Read in chronological order, Shakespeare’s English histories trace the depressing collapse of medieval politics, from the ineffectual but dignified medieval kingdom of Richard II, through the usurpation of Henry Bolingbroke, later Henry IV,…
The Heart of Liturgy What we call sacrament, the food-aspect of worship, is essential here. Biblically, sanctuary worship, or worship in the heavenlies, is always a “marriage supper,” always sacramental. The Papal Church made the Eucharist into a private act largely separated from the community of the church. Protestant churches…
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James Jordan has suggested that the vision of new Jerusalem (Revelation 21:9-22:5) is arranged as a chiastic recasting of the creation week: A. Day 1: Light in the city, 21:10-11 B. Day 2: Boundaries and measurements of the city, 21:12-17 C. Day 3: Materials of the city, 21:18-21 D. Day…
The verb “show” ( deiknuo ) occurs eight times in Revelation, and the eight uses fall into a neat pattern. Twice at the beginning (1:1; 4:1) and twice at the end (22:6, 8), the verb is used with a generic object. God shows “things which must shortly take place” (1:1;…
In an essay on “barriers and bridges” in American religion, Stephen Warner emphasizes the role of music in building bridges, forging solidarity without requiring assent to a common set of propositions. He offers a florilegium of quotations from various scholars: “At an emotional level, there is something ‘deeper' about hearing…
William H. McNeill's Keeping Together in Time explores the role of “emotional bonding through rhythmic muscular movement” in history (52). The significance of the phenomenon occurred to him during military training in 1941: “A sense of pervasive movement in unison is what I recall; more specifically, strange sense of personal…
The final chapter of the Bible (Revelation 22:6-21) is a rapid series of speeches and dialogues, structured in fourfold parallelism. Each new section introduces a new speaker or speech with some form of “he said.” The speakers move from an angel to Jesus to the Spirit and bride. The chapter…
In a 2007 Bibliotheca Sacra article, Mark Hitchcock examines various theories about the identity of the seven heads of the beast in Revelation 17:9-11. It's been proposed that the number seven is purely symbolic of fulness, and that the heads are not to be identified with any historical characters. Hitchcock's…
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