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Biblical Chronology

Chronologies and Kings: Part 3

The chronology of the Kings of Judah and Israel can be divided into three periods with clearly defined boundaries. The first period begins with the death of Solomon and the accessions of Rehoboam in the south (Judah) and Jeroboam in the north (Israel). It ends with the deaths of Ahaziah…

by James B. JordanSeptember 22, 1991
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Art

Arts & Play, Part 1

Most modern people regard the arts as essentially decorative. They are hardly very important, as compared to business, politics, or religion. Yet, from a Biblical point of view, the arts lie close to the heart of human life. The universe that God created is itself an artistic masterpiece by the…

by James B. JordanSeptember 22, 1991
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Exodus

Chronologies and Kings, Part 2

Before we move into a detailed survey of the history and chronology of the kings of Israel and Judah, let us review the chronological information that leads from creation to the kingdom. This will be helpful both to new readers of these essays, and a reminder for those who have…

by James B. JordanAugust 22, 1991
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Biblical Chronology

Chronologies and Kings, Part 1

We have completed our overall survey of Biblical chronology, and now turn to a detailed examination of the Biblical information regarding the chronology of Israel’s kings. The first piece of chronological information we have regarding Israel’s kings is very cryptic, and it serves as an guide to the interpretation of…

by James B. JordanJuly 22, 1991
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Biblical Horizons

Book Review - To Take Place: Toward Theory in Ritual

Jonathan Z. Smith, To Take Place: Toward Theory in Ritual (Chicago: University of Chicago Press, 1987). Reviewed by Peter J. Leithart. The philosophes of the 18th century often attacked Christendom using the tools of anthropology and comparative religion. Rousseau contrasted the idyllic equality of primitive, natural peoples with the bondage…

by Peter LeithartJuly 6, 1991
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Biblical Horizons

Book Review: The Rise of Magic in Early Medieval Europe

Valerie I. J. Flint, The Rise of Magic in Early Medieval Europe (Princeton University Press, 1991). Reviewed by Peter J. Leithart. Valerie I. J. Flint, Professor of History at the University of Auckland, New Zealand, is refreshingly candid about her reasons for undertaking a study of The Rise of Magic…

by Peter LeithartJuly 6, 1991

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Monster to Music

In Rune 40 of the Finnish epic, Kalevala , the hero, Wainamoinen, is sailing with his friends to Pohjola, where he intends to recover the Sampo, a talisman of good luck and extraordinary, mysterious power. No one today quite knows what the Sampo was, but many of the episodes of…

April 28, 2015

Chaucer and the Greeks

Chaucer, like Shakespeare after him, set some of his poems in ancient Greece. The “Knight's Tale” takes place in Athens, ruled by the same “Duke” Theseus who rules Athens in Midsummer Nights Dream . Troilus and Cresyde is a Trojan love tragedy. Neither of these works, however, shows much deep…

April 28, 2015

Greece in the English Renaissance

According to C. S. Lewis ( English Literature in the Sixteenth Century , 27-28), English humanists were most interested in style, but the style was mostly Latin: “Greek was given abundance of ‘mouth honor,’ but only the minor Greek authors (Plutarch, Heliodrous, Chilles Tatius, the Anthology) were really relished. Greek…

April 28, 2015

Make Love and War: The Knight's Tale

Emily, the lady-love of Chaucer's “Knight's Tale,” the first of the Canterbury Tales, appears in a garden, and the poet describes her as if where were part of the garden. She is Eve in Eden. But this is no Edenic world. The men who see her are locked out of…

April 28, 2015

Universal Tragedy

Tragic stories are fall stories. Whether through moral wrong or through some inadvertent hamartia , the tragic hero falls from a high place. Others are engulfed in the tragedy to one extent or another, but not everyone. Those who watch can experience the catharsis of pity and fear by watching…

April 28, 2015

Invention of Allegory

C S. Lewis describes the formation of medieval allegorism in his classic Allegory of Love . He begins by distinguishing between an allegorical and a sacramental or symbolic turn of mind. Allegory begins, he says, with “an immaterial fact, such as the passions which you actually experience” and finds ways…

April 27, 2015

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