Explore our collection of theological essays, biblical studies, and reflections on faith and culture.
Stalker is a Soviet-era film by Andrei Tarkovsky in which an enigmatic location comes into existence either through an alien crash or a nuclear disaster; the film never makes it clear, but knowing Tarkovsky’s criticism of the spectacle nature of the alien motif after his own filming of Solaris and…
I was scrolling through Instagram on the night of Thanksgiving, the only one awake (as usual), coming down from my extrovert-high after all the conversation and merriment of the day, when I came across a post that stopped me in my tracks. The post contained a picture-perfect image of some…
The Theopolis Institute is pleased to announce the fourth round of the James B. Jordan Prize to honor outstanding doctoral dissertations in biblical theology. James Jordan is one of the most insightful biblical scholars of our time. The Jordan Prize exists to encourage more of the deep Scriptural investigation of…
Suppose I were to write three versions of a story. In every version, the first half of the book looks forward to the coming of the king. There are promises about him and about how glorious his kingdom will be, about how his kingdom will fill the earth with peace…
Introduction Doug Wilson’s American Milk and Honey is now available. There’s a great deal in the book worth commenting on, and I anticipate engaging with that material more broadly in the near future. In the lead up to its release, however, Moscow has not been silent concerning Israel, the Jews,…
Our telling of the Prodigal Son parable usually (and rightly) focuses on the runaway younger brother: the lost son returns, and his father joyfully and graciously receives him. But the full story has an additional element: an angry older brother. Jesus uses the older brother to rebuke the religious leaders…
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When John first enters heaven, no altar is visible. He sees an altar for the first time when the fifth seal is broken, and at that point his attention is directed to the base of the altar, where the martyred saints have shed their blood (6:9). The next time we…
Richard Beck points out in Unclean that disgust is “promiscuous”: It “has a degree of plasticity; it is molded to fit a given culture.” In this, disgust differs from other emotions: “The core triggers for happiness, fear, sadness, or anger appear to be fairly stable and consistent across cultures. But…
Ernest Becker wrote: “Excreting is the curse that threatens madness because it shows man in his abject finitude, his physicalness, the likely unreality of his hopes and dreams. But even more immediately, it represents man’s utter bafflement at the sheer non-sense of creation: to fashion the sublime miracle of the…
The worship of the beast in Revelation 13 takes the form of an acclamation of His uniqueness. “Who is like the beast?” they cry. This has several layers of significance. This acclamation echoes the acclamation of Israel in the song of Moses: “Who is like You among the gods, O…
The beast of Revelation 13 initiates a double attack against the saints: first blasphemy, then he “makes war” on them (vv. 6-7). The blasphemies are against God, but they are directed also at the name of God, His tabernacle, and those who dwell in heaven (v. 6). The dragon has…
Polybius wrote, “when a man who has been helped when in danger by another does not show gratitude to his preserver, but even goes to the length of attempting to do him injury, it is clear that those who become aware of it will naturally be displeased and offended by…
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