Explore our collection of theological essays, biblical studies, and reflections on faith and culture.
Abbreviated Introduction to the Series Scripture is absolutely dripping with animal metaphors. Animal traits, characteristics, and appearances are attributed to God, Man, Angels, Nations, Armies. Since animals are the lowest creature in the three-tiered hierarchy, they are useful to metaphorically focus on a single aspect of God (bold like a…
Many years ago, while perusing Janice Anderson’s revised doctoral dissertation, Matthew’s Narrative Web: Over, and Over, and Over again , I was impressed by her attention to literary structures of repetition within and across Matthew’s Gospel. 1 Her research, in part, nudged me closer toward my present conviction that Matthew…
Abbreviated Introduction to the Series Scripture is absolutely dripping with animal metaphors. Animal traits, characteristics, and appearances are attributed to God, Man, Angels, Nations, Armies. Since animals are the lowest creature in the three-tiered hierarchy, they are useful to metaphorically focus on a single aspect of God (bold like a…
“Like a lily among the thorns, so is my love among the maidens… My beloved is mine and I am his; he pastures among the lilies.” Song 2:2, 16 In chapter two of the Song of Solomon, the Beloved compares his Love to a lily among thorns. The language of…
Introduction From the very beginning, angels and animals have played mediating roles between God and Man. Just as the World was made three-tiered (Heaven, Earth, Deep), so the creatures were made (Angels, Men, Animals). Before Christ came to build the permanent bridge across the chasm between God and Man, various…
Matthew 13, the third major discourse of the apostle’s gospel, is comprised almost entirely of parables. While it may seem that all the parables serve the same purpose in fulfilling the prophet Isaiah (Matthew 13:14), the parables found in verses 44–52, at the very least, function outside that purpose. This…
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When Yahweh returns to abandoned Zion, she breaks into song. He breaks into poetry (Isaiah 54). He describes Zion as a “woman forsaken and grieved in Spirit, a wife of youth refused” (v. 6). “Forsaken” translates ‘azuvah , and “grieved” translates ‘atzuvat , and the assonance in Hebrew continues, though…
Isaiah sees Zion as a grieving “widow” (Isaiah 54:4). But Yahweh is her husband. Yahweh must have died if she is left in her widowhood. Then he comes back as her ba’al (54:5), her lord and husband, making her a Lady, a be’ulah (54:1). This isn’t merely a separation and…
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Because of the Servant’s work (Isaiah 53), Zion is restored to her husband (54:4-5). That restoration is marked by the outbreak of song (54:1-3) but also by a series of negations. Verse 4 begins with three clauses that all begin with the Hebrew particle lo , “not”: Do not fear,…
This was first published at Credenda.org in March 2010. God is not mocked, Paul tells us. Matthew’s Passion narrative (Matthew 27:27-44), however, suggests otherwise. Matthew gives very little information about the physical sufferings of Jesus. We can imagine those sufferings from the details he records, but he directs our attention…
In a 2006 article, Israeli writer Eyal Weizman describes the Israeli military’s use of contemporary theory to revise military tactics. Weizman says that “the reading lists of contemporary military institutions include works from around 1968 (with a special emphasis on the writings of Gilles Deleuze, Félix Guattari and Guy Debord),…
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