Explore our collection of theological essays, biblical studies, and reflections on faith and culture.
In the Bible, fatness is such a blessing, that it is especially hard to understand why wicked men are permitted to enjoy such a state. It requires a theodicy and faith in God. Thus: “For they have no pangs until death; their bodies are fat and sleek . They are…
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The allusion to the Exodus story is contained in the first words of Deuteronomy 14:1 — “ye are the sons of Yahweh your God” — as well as in 14:2 in the use of the technical term translated “treasured possession,” “His own possession,” “peculiar people,” “precious people,” and so forth.…
I have argued that Deuteronomy 14:1-21 is an independent literary unit that applies the Third Word to the lives of Israelites from the time of Moses and Joshua. In this short pericope, Moses suggests broad and deep meaning by means of literary allusion to the stories of the creation and…
In his recently republished The New Creation , the late, delightful Herbert McCabe defends the priesthood of the plebs as roundly as anyone could want. Citing Hebrews, he claims that "there is an essential difference between the Christian community and the community of the Old Law, or any other religious…
Augustine famously prayed, “Our hearts our restless until they rest in You.” True indeed. Being creatures, we inherently sense our ontological poverty—our innate condition of dependence—and are compelled to find a sense of security. And it is also true—as Augustine’s own narrative painfully illustrates—that one of the things we most…
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According to Pickstock, Augustine’s musical ontology is not a mere subordination of space to time, or a univocal “Dionysian flow”: “just as important as the priority of time, for Augustine, is the insistence on articulation into distinct musical units or phrases, the very move which allows a stress upon the simultaneity…
Nothing comes from nothing.  That seems obvious, and Christians have traditionally had some difficulty explaining why creatio ex nihilo is a defensible violation of that basic principle. According to Catherine Pickstock, Augustine viewed creation ex nihilo as the most rational position.  All around us, “things are continuously coming to be…
In responding to Milbank’s analysis of Augustine on the secular, RA Markus ( Christianity And the Secular (Blessed Pope John XXIII Lecture Series in Theology and Culture) ) borrows MJ Hollerich’s summary of Milbank that there is no “neutral public sphere in which people can act politically without reference to…
Jean-Marie Schaeffer ( Art of the Modern Age: Philosophy of Art from Kant to Heidegger (New French Thought Series) has a blast pointing out the contradictions in Kant’s aesthetics. Most of them arise from Kant’s insistence that the judgment of taste is founded on “the form of a finality” that…
Can effects double as causes? Kant, still working with some form of final causality, thinks so: There are cases when “the thing that for the moment is designated effect deserves none the less, if we take the series regressively, to be called the cause of the thing of which it…
Evidence that Hamann had Kant right: In explaining taste as a common sense, he notes that this common sense of beauty can be arrived at by a process of stripping off whatever belongs to our perception and prejudice. That is, we put “ourselves in the position of every one else,…
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