Explore our collection of theological essays, biblical studies, and reflections on faith and culture.
Abbreviated Introduction to the Series Scripture is absolutely dripping with animal metaphors. Animal traits, characteristics, and appearances are attributed to God, Man, Angels, Nations, Armies. Since animals are the lowest creature in the three-tiered hierarchy, they are useful to metaphorically focus on a single aspect of God (bold like a…
Many years ago, while perusing Janice Anderson’s revised doctoral dissertation, Matthew’s Narrative Web: Over, and Over, and Over again , I was impressed by her attention to literary structures of repetition within and across Matthew’s Gospel. 1 Her research, in part, nudged me closer toward my present conviction that Matthew…
Abbreviated Introduction to the Series Scripture is absolutely dripping with animal metaphors. Animal traits, characteristics, and appearances are attributed to God, Man, Angels, Nations, Armies. Since animals are the lowest creature in the three-tiered hierarchy, they are useful to metaphorically focus on a single aspect of God (bold like a…
“Like a lily among the thorns, so is my love among the maidens… My beloved is mine and I am his; he pastures among the lilies.” Song 2:2, 16 In chapter two of the Song of Solomon, the Beloved compares his Love to a lily among thorns. The language of…
Introduction From the very beginning, angels and animals have played mediating roles between God and Man. Just as the World was made three-tiered (Heaven, Earth, Deep), so the creatures were made (Angels, Men, Animals). Before Christ came to build the permanent bridge across the chasm between God and Man, various…
Matthew 13, the third major discourse of the apostle’s gospel, is comprised almost entirely of parables. While it may seem that all the parables serve the same purpose in fulfilling the prophet Isaiah (Matthew 13:14), the parables found in verses 44–52, at the very least, function outside that purpose. This…
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In an article from the 1950s, Paul Kristeller traced the development of the system of the fine arts that everyone since at least Kant has taken for granted. He notes that this system, which considers some specific endeavours as “fine arts” separated from mere “crafts” or “artisanship,” was given a…
De Certeau suggests that Cusa’s Germanized Latin provides a linguistic illustration of his theory of the “coincidence of opposites”: “Germanisms haunt his Latin. They are the ghosts of a particular place (Rhineland, or Germany) in a different place, Latin, a language supposed to be ‘universal’ but in fact limited to…
Steven A. Walton provides an illuminating summary of the scholastic incorporation of mechanical arts into philosophy and theology. John the Scot first used the term artes mechanicae in the ninth century, and monasteries preserved and improved upon ancient technologies, but “they did not warrant inclusion in the philosophical canon.” Most…
In his treatise De Venatione Sapientiae , Nicholas of Cusa explained the Platonic doctrine of ideas as follows: “Ideas are not separated from individuals in such a way as to be extrinsic exemplars. For the individual’s nature is united to the Idea itself, from which it has all these [endowments]…
A friend, Jim Rogers, sends along this quotation from the late Richard Neuhaus: “Scholars generally agree that in the first century there were approximately six million Jews in the Roman Empire . . . That was about one tenth of the entire population. About one million were in Palestine, including…
Wow. That’s my initial reaction to a quick perusal of the opening chapters of Douglas Campbell’s The Deliverance of God: An Apocalyptic Rereading of Justification in Paul , just out from Eerdmans. Campbell attacks what he calls the “foundationalism” and “contractualism” that undergird “Justification theory” as it has been understood…
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