Explore our collection of theological essays, biblical studies, and reflections on faith and culture.
In Infantilised: How Our Culture Killed Adulthood (2024), Keith Hayward says that we live in a “therapy culture.” This is “a way of thinking” about upbringing and education “when the values and language of counseling and psychotherapy break out from the clinical setting and take hold within the cultural imagination…
In Genesis 20:13, Abraham reveals that when he and his wife left their father’s house, he asked Sarah to call him her brother, not her husband. Abraham looked ahead to the land before them, a land full of violence, and he didn’t trust men there. He believed they would see…
Introduction I am sitting in a rural village in the northern part of a West African country. I’m in the courtyard of an imam. Two other Christians are with me. It’s hot and dusty, but we have come to read Scripture and talk together. As a local Christian takes the…
This is the wey to al good aventure; Be glad, thou reder, and thy sorwe of-caste -Geoffrey Chaucer, The Parlement of Foulys, 131–132 In January I had the honor and delight of speaking at the Church of the Redeemer’s 2025 Christendom Lectures. What follows are drawn from the notes for…
I had often heard that wisdom is visible in the countenance and I thought that I had seen examples of it in the past. But the man who stood before me, loosely holding the reins of the mare and peering around him with sharp interest, gave no outward hint of…
And no wonder, for even Satan disguises himself as an angel of light — 1 Corinthians 11:14 In Revelation 5:2, the first of three “Mighty Angels” appears before the throne of God and preaches in a great voice, asking, “Who is worthy to open the book, and to loose the…
Showing page 9 of 309
Showing page 32 of 43
Plays might be promoted as a kind of opiate of the masses: Mass entertainment that keeps them from more violent entertainments like rioting and pillaging. This could be problematic, if the entertainments were too heady for most people to follow. Thomas Heywood (1612) suggested that playwrights should “ayme . .…
How regulated was Shakespeare’s own theater? And for what reasons? Patterson highlights various reasons for closing or permitting theaters: audience composition, including the fear that a large collection of workers might be distruptive; public health; economic concerns; religious and moral concerns, especially Sabbatarian; and “a shifting and elusive imperative to…
Shakespeare’s fortunes in the US were, understandably, different from in England. Initially, Shakespeare was America’s most popular playwright, appealing to a wide sector of the American populace. Patterson notes that “by the end of the nineteenth century ‘Shakespeare’ had become a cultural icon, the property only of the ‘legitimate theater,’…
Annabel Patterson notes ( Shakespeare and the Popular Voice ) that contemporary critics, whatever their own political outlook, assume that Shakespeare was an advocate of Elizabethan hierarchy. This view, however, is a product of the 19th century. Dryden, Johnson, and others criticize Shakespeare for violating the conventions of his genre,…
By the 18th century, acting styles also invested Shakespeare with “courtly” virtues of control, dignity, stateliness. Dobson writes, “Shakespearian acting . . . in the decades following Betterton’s death in 1710, seems to have settled into a grandiloquent vein of static declamation, best exemplified by the stout James Quin (1693-1766)…
Dobson again: “after Charles II’s death in 1685 England would never again have another monarch with such an informed interest in the drama (or, mercifully, such a lascivious one), and deprived of royal patronage and protection the playhouses came under renewed attack from the moralists (led by the redoubtable clergyman…
Showing page 1785 of 2212
Your weekly digest for all things Theopolis.
