Explore our collection of theological essays, biblical studies, and reflections on faith and culture.
The history of the sin of Ham and the curse of Canaan comes in the middle of the Generations of Noah, a section of Genesis that begins at Genesis 6:9 and extends to the closing notice, Genesis 11:9. To understand the story better, it is necessary to get in mind…
This paper was written to persuade people who were members of the Presbyterian Church in America. It should be accessible to anyone who believes in baptizing infants–especially to those who consider themselves a part of the Reformation Tradition. References to “our Confession” or “our standards” invoke the Westmeinster Confession of…
Version 1.2 I write this brief essay in order to address a problem I have encountered. I keep reading explanations of doctrine of the sacraments fundamentally empty of the content which was once held by virtually all Reformed confessions and formulations. Furthermore, I read explanations and commentaries on the Westminster…
We continue our analysis of John Sailhamer’s book *Genesis Unbound: A Provocative New Look at the Creation Account* (Multnomah Books, 1996), which argues that Genesis 1:2ff. is not about the creation of the whole world, but about the preparation of the Land of Eden, which is also the Promised Land.…
III. Death of God’s Firstborn in the real Egypt: This huge chiasm has as its center the betrayal of Peter, as the leader of the disciples himself rejects Jesus. Peter holds an oficial position as high priest among the disciples of the incarnate Lord. His rejection of Jesus is the…
I wrote a response to Rev. Richard Bacon’s tract, What Mean Ye by This Service , a copy of which I borrowed from the library at Covenant Theological Seminary. However, I recently discovered that a new appendix was added to the version available on the Blue Banner’s web page. This…
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Ruskin's concept of "typical beauty" is a piece of theological aesthetics. In the second volume of Modern Painters , Ruskin distinguished kinds of beauty, the typical and the vital. Of the first, he says: "that external quality of bodies already so often spoken of, and which, whether it occur in…
In the third volume of Modern Painters , Ruskin addresses the "German dulness, and English affectation" that has "multiplied among us the use of two of the most objectionable words that were ever coined by the troublesomeness of metaphysicians,—namely, 'Objective,' and 'Subjective.'" The words are "exquisitely . . . useless"…
George Landow argues ( Victorian Types, Victorian Shadows ) that the poetry of Gerald Manley Hopkins would look less bizarre, though no less innovative, if we placed Hopkins more firmly in the poetics of his time. Which is to say, placed him in the context of a typological poetics. Hopkins's…
Architecture, Ruskin claims ( Seven Lamps of Architecture ), isn’t the same as building. Architecture refers to the specifically artistic features of a building, and the specifically artistic features have to do with adornment and not function: “Architecture concerns itself only with those characters of an edifice which are above…
John Ruskin was the main art critic of his time; he was an artists himself, and also wrote on a variety of other topics, especially on the state of English politics and economy. He abandoned explicit attachment to Evangelical Christianity but remained deeply indebted. He provides an excellent example of…
Typological forms of thought weren't confined to sermons and commentaries, but made their way into 19 th -century English poetry. -Some poets put typology to orthodox uses, though here we can see divergent deployments of a similar typology. Elizabeth Barrett Browning wrote a poem, Casa Guidi Windows (1851) about the…
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