Explore our collection of theological essays, biblical studies, and reflections on faith and culture.
1 Chronicles 9:1 seems to bring the genealogies of 1 Chronicles to an end. The Chronicler has recorded the genealogy of the human race from Adam, focusing on the descendants of Abraham through Jacob. Summing it all up, he says, “So all Israel was enrolled by genealogies; and behold, they…
The “personalist” understanding of the Trinity, articulated most influentially in the work of John Zizioulas, has fallen on hard times. Recent scholars have attacked Zizioulas’s idea that Cappadocian Trinitarianism represented an ontological revolution, hammering on the distinction between divine and human personhood. Michel Barnes’s conclusion is the most drastic of…
Biblical Theology is often defined as the historical unfolding of God’s revelation, or of God’s revelation and of the history of his covenantal redemption and transformation of humanity and the world. In practice, Biblical Theology is usually broader than this, and also includes the study of literary structure and of…
We are made to be happy. Created to enter into the eternal joy of God, our whole being inclines to that end, but the fallen world has put forth barriers and by our own sin we bar ourselves from that endless delight, and death blinds us to that reality. Yet…
At the end of Revelation, John sees the heavenly city descending to earth. The city shines with the brilliance of God's glory, which lightens the nations, so that kings bring their glory to the city. This is not a vision of the final new heaven and new earth. It's a…
“No one has ever seen God,” writes John (John 1:18). If this is the case, then how can we speak about God? Some people say we actually cannot. Or at least we cannot speak about God positively, i.e. who He is. We can only say who or what God is…
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There’s an interview regarding by recent book on empire at http://thegospelcoalition.org/blogs/trevinwax/ this morning.
Shylock has been played for sympathy frequently in the past century. But the sense that his character fits badly in a comedy is an old one. Already in 1709, Nicholas Rowe wrote, “Tho’ we have seen that Play Receiv’d and Acted as a Comedy, and the Part of the Jew…
In an old article in the Shakespeare Quarterly , Barbara Lewalski suggests that Merchant of Venice is a moralistic allegory depicting the character of Christian love. In the play, Christian love involves “giving and forgiving: it demands an attitude of carelessness regarding the things of this world founded upon a…
Mahood again ( The Merchant of Venice (The New Cambridge Shakespeare) ), describing Shakespeare’s and Shylock’s use of the gospels in the play (p. 198-9). “On Shylock’s first meeting with Bassanio, his detestation of the Christians breaks out in the dactylic rhythm and harsh consonants of ’ to eat of…
In an appendix to his edition of The Merchant of Venice (The New Cambridge Shakespeare) (pp. 197-8) , M. M. Mahood explores Shakespeare’s use of the Bible in the play. He notes the extensive echoes of the Jacob narrative, some explicit some not so much. “Shakespeare is unlikely ever to…
Should we love God disinterestedly, without expectation or desire for return from Him, without any desire for happiness? It’s a common idea, but Milbank rightly argues against it. He asks “what constitutes God’s loveability”? His answer” “every charm, every attractive feature of anything whatsoever, radiates outwards, rendering things apprehensible and…
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