Explore our collection of theological essays, biblical studies, and reflections on faith and culture.
An addendum to the earlier post on Romans. In my first essay, I pointed out how the role of the sin of Joseph’s brothers in bringing about Joseph’s exaltation in Egypt, and the resulting salvation of the world from famine, might show us and explanation to some of the distinctive…
When Paul wrote to the Romans, he was obviously writing a missionary support letter of a sort. One can read Romans 1.15 and then jump into 15.23 (“[S]ince I no longer have any room. . . .) without losing virtually any coherence. Yet into this letter he “dropped,” as it…
The Westminster Confession says that each passage has one meaning , not many, and that gets picked up on by lots of people who are suspicious of and do not like typological readings of Scripture. I will defer to wiser and more learned heads than mine as to exactly what…
By arresting, torturing, and killing Jesus, the authorities thought that they were securing well being and peace again in their society by means of the tried and true method of a single-victim scapegoat. Everyone’s thirst for violence will be satisfied and we can get on with the business of everyday…
This is the second in a series of essays on "Continuing the Reformation." In his important though sadly unavailable book, Calvin's Doctrine of the Church (Brill, 1970), Benjamin Charles Milner argues persuasively that in Calvin's view God's perfect order for His creation, an order that was to grow and develop…
Trinity House Fellow James Jordan recently gave a series of lectures in London on how to read the Bible. They are available online at NorthLondonChurch.org .
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There’s an interview regarding by recent book on empire at http://thegospelcoalition.org/blogs/trevinwax/ this morning.
Shylock has been played for sympathy frequently in the past century. But the sense that his character fits badly in a comedy is an old one. Already in 1709, Nicholas Rowe wrote, “Tho’ we have seen that Play Receiv’d and Acted as a Comedy, and the Part of the Jew…
In an old article in the Shakespeare Quarterly , Barbara Lewalski suggests that Merchant of Venice is a moralistic allegory depicting the character of Christian love. In the play, Christian love involves “giving and forgiving: it demands an attitude of carelessness regarding the things of this world founded upon a…
Mahood again ( The Merchant of Venice (The New Cambridge Shakespeare) ), describing Shakespeare’s and Shylock’s use of the gospels in the play (p. 198-9). “On Shylock’s first meeting with Bassanio, his detestation of the Christians breaks out in the dactylic rhythm and harsh consonants of ’ to eat of…
In an appendix to his edition of The Merchant of Venice (The New Cambridge Shakespeare) (pp. 197-8) , M. M. Mahood explores Shakespeare’s use of the Bible in the play. He notes the extensive echoes of the Jacob narrative, some explicit some not so much. “Shakespeare is unlikely ever to…
Should we love God disinterestedly, without expectation or desire for return from Him, without any desire for happiness? It’s a common idea, but Milbank rightly argues against it. He asks “what constitutes God’s loveability”? His answer” “every charm, every attractive feature of anything whatsoever, radiates outwards, rendering things apprehensible and…
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