Explore our collection of theological essays, biblical studies, and reflections on faith and culture.
Abbreviated Introduction to the Series Scripture is absolutely dripping with animal metaphors. Animal traits, characteristics, and appearances are attributed to God, Man, Angels, Nations, Armies. Since animals are the lowest creature in the three-tiered hierarchy, they are useful to metaphorically focus on a single aspect of God (bold like a…
Many years ago, while perusing Janice Anderson’s revised doctoral dissertation, Matthew’s Narrative Web: Over, and Over, and Over again , I was impressed by her attention to literary structures of repetition within and across Matthew’s Gospel. 1 Her research, in part, nudged me closer toward my present conviction that Matthew…
Abbreviated Introduction to the Series Scripture is absolutely dripping with animal metaphors. Animal traits, characteristics, and appearances are attributed to God, Man, Angels, Nations, Armies. Since animals are the lowest creature in the three-tiered hierarchy, they are useful to metaphorically focus on a single aspect of God (bold like a…
“Like a lily among the thorns, so is my love among the maidens… My beloved is mine and I am his; he pastures among the lilies.” Song 2:2, 16 In chapter two of the Song of Solomon, the Beloved compares his Love to a lily among thorns. The language of…
Introduction From the very beginning, angels and animals have played mediating roles between God and Man. Just as the World was made three-tiered (Heaven, Earth, Deep), so the creatures were made (Angels, Men, Animals). Before Christ came to build the permanent bridge across the chasm between God and Man, various…
Matthew 13, the third major discourse of the apostle’s gospel, is comprised almost entirely of parables. While it may seem that all the parables serve the same purpose in fulfilling the prophet Isaiah (Matthew 13:14), the parables found in verses 44–52, at the very least, function outside that purpose. This…
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INTRODUCTION After the Olivet Discourse, Jesus “finished all these words” (26:1; cf. 7:28; 11:1; 13:53; 19:1).  His public ministry of teaching Israel is over.  Like Moses (Deuteronomy 32:45), nothing remains for Him but to die. THE TEXT “Now it came to pass, when Jesus had finished all these sayings,  that…
Protestants agreed with Catholics that the Song elaborates a nuptial analogy to the church’s relation to Christ, but Scheper finds a significant difference between Protestants and Catholics when they explain why that analogy is apt in the first place.  Protestants, consistent with the emphasis on legal categories for justification and…
The Puritans were not prudes, but the caricature has some basis in fact. Again the Song of Songs provides a neat barometer.  Scheper juxtaposes a medieval monk’s interpretation of the “breasts” of the Song with that of two Protestant interpreters.  The results are fascinating: “the Cistercian monk Gilbert of Hoilandia does…
the Protestant commentaries almost uniformly adopt a primarily ecclesial allegory, with the tropological dimension as a valid application. But so, in fact, is the medieval tradition built on the foundation of the ecclesial interpretation, and even those commentaries devoted most strikingly to the Christsoul allegory, such as Bernard’s, recognize that…
The modern oblivion of the book has tended to blind us to the really crucial position it holds in exegetic history, not only for the question of allegory but for the central matter of the relation of divine to profane love, and in fact, as Ruth Wallerstein has said, the…
there is a certain discrepancy between the purity of these theoretical statements, polemical in context, and the actual exegetic practice of the Reformers. Moreover, the rejection of allegory and the insistence on one undivided sense hinged for the early Reformers on maintaining a radical distinction between typology and allegory. But…
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