Explore our collection of theological essays, biblical studies, and reflections on faith and culture.
I'm afraid of messing up. Not just of messing up in general, but of messing this up—the big This that is the story that is my life, the story that God is attempting to tell with me as His material. The question casts its shadow over all my decisions. Can…
Jesus’ letter to Pergamum mentions Balaam and Balak (Revelation 2:14), and that is a signal that the whole message is running along the lines of Numbers 22-25. The death of the high priest is a sacrificial moment in the life of Israel. According to the rules of the cities of…
As you come to be joined in marriage today, I want to take a moment to focus on one important dimension of what it means to be married as Christians: that is as those who know Jesus and are being made into His likeness. This is a glorious day, full…
When Jesus was entered into Capernaum, there came unto him a centurion, beseeching him, saying, “Lord, my servant lieth at home sick of the palsy, grievously tormented.” Jesus saith unto him, “I will come and heal him.” The centurion answered and said, “Lord, I am not worthy that thou shouldest…
Philosophers have measured mountains, Fathom'd the depths of seas, of states, and kings, Walk'd with a staff to heaven, and traced fountains But there are two vast, spacious things, The which to measure it doth more behove: Yet few there are that sound them; Sin and Love. The Agonie –…
The third chapter of Luke famously opens with a list of mighty men, seven mighty men, potential heroes of the Mediterranean world. Beginning with Tiberius Caesar and Pontius Pilate, passing on to Herod the Tetrarch and his brothers, and ending with two High Priests, Luke says that the word of…
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Plays might be promoted as a kind of opiate of the masses: Mass entertainment that keeps them from more violent entertainments like rioting and pillaging. This could be problematic, if the entertainments were too heady for most people to follow. Thomas Heywood (1612) suggested that playwrights should “ayme . .…
How regulated was Shakespeare’s own theater? And for what reasons? Patterson highlights various reasons for closing or permitting theaters: audience composition, including the fear that a large collection of workers might be distruptive; public health; economic concerns; religious and moral concerns, especially Sabbatarian; and “a shifting and elusive imperative to…
Shakespeare’s fortunes in the US were, understandably, different from in England. Initially, Shakespeare was America’s most popular playwright, appealing to a wide sector of the American populace. Patterson notes that “by the end of the nineteenth century ‘Shakespeare’ had become a cultural icon, the property only of the ‘legitimate theater,’…
Annabel Patterson notes ( Shakespeare and the Popular Voice ) that contemporary critics, whatever their own political outlook, assume that Shakespeare was an advocate of Elizabethan hierarchy. This view, however, is a product of the 19th century. Dryden, Johnson, and others criticize Shakespeare for violating the conventions of his genre,…
By the 18th century, acting styles also invested Shakespeare with “courtly” virtues of control, dignity, stateliness. Dobson writes, “Shakespearian acting . . . in the decades following Betterton’s death in 1710, seems to have settled into a grandiloquent vein of static declamation, best exemplified by the stout James Quin (1693-1766)…
Dobson again: “after Charles II’s death in 1685 England would never again have another monarch with such an informed interest in the drama (or, mercifully, such a lascivious one), and deprived of royal patronage and protection the playhouses came under renewed attack from the moralists (led by the redoubtable clergyman…
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