Explore our collection of theological essays, biblical studies, and reflections on faith and culture.
At the time I write this, many in the United States are under some kind of “lock-down” order. But, thanks to the internet, people are still able to communicate with each other. And people have differing opinions on which medical or scientific projection about our current pandemic is most likely…
So Jesus came again to Cana in Galilee, where he had made the water wine. And at Capernaum there was an official whose son was ill. When this man heard that Jesus had come from Judea to Galilee, he went to him and asked him to come down and heal…
Throughout the world, pastors and leaders are making sometimes excruciating decisions about whether or not to hold public worship services during the coronavirus pandemic and, if so, how. We at Theopolis encourage you to find creative, safe, reasonable, and submissive ways to meet in person with other believers. For many,…
An excerpt from The End of Israel: Jesus, Paul & AD70 by Michael Bull The Hebrew word olah, translated “whole burnt offering” literally means “go up.” The explanatory “translation” is helpful in its description of the offering but unfortunately for English readers it veils the symbolic meaning. As far as…
The # Coronavirus is trending more frequently than your favorite five celebrities put together. Our culture has exchanged TMZ stories for the primacy of the geeks who once made their living in the privacy of their laboratory. These are now our modern-day celebrities. It’s safe to say the experts surrounding…
In the name of Jesus Christ, our Savior, Lord, and Friend. Dear sister in Christ, Your baptism is firm and certain not because of anything you have done or the pastor who administered your baptism in Christ’s stead and command. Your baptism is firm and certain because of God and…
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Plays might be promoted as a kind of opiate of the masses: Mass entertainment that keeps them from more violent entertainments like rioting and pillaging. This could be problematic, if the entertainments were too heady for most people to follow. Thomas Heywood (1612) suggested that playwrights should “ayme . .…
How regulated was Shakespeare’s own theater? And for what reasons? Patterson highlights various reasons for closing or permitting theaters: audience composition, including the fear that a large collection of workers might be distruptive; public health; economic concerns; religious and moral concerns, especially Sabbatarian; and “a shifting and elusive imperative to…
Shakespeare’s fortunes in the US were, understandably, different from in England. Initially, Shakespeare was America’s most popular playwright, appealing to a wide sector of the American populace. Patterson notes that “by the end of the nineteenth century ‘Shakespeare’ had become a cultural icon, the property only of the ‘legitimate theater,’…
Annabel Patterson notes ( Shakespeare and the Popular Voice ) that contemporary critics, whatever their own political outlook, assume that Shakespeare was an advocate of Elizabethan hierarchy. This view, however, is a product of the 19th century. Dryden, Johnson, and others criticize Shakespeare for violating the conventions of his genre,…
By the 18th century, acting styles also invested Shakespeare with “courtly” virtues of control, dignity, stateliness. Dobson writes, “Shakespearian acting . . . in the decades following Betterton’s death in 1710, seems to have settled into a grandiloquent vein of static declamation, best exemplified by the stout James Quin (1693-1766)…
Dobson again: “after Charles II’s death in 1685 England would never again have another monarch with such an informed interest in the drama (or, mercifully, such a lascivious one), and deprived of royal patronage and protection the playhouses came under renewed attack from the moralists (led by the redoubtable clergyman…
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