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Writing

Explore our collection of theological essays, biblical studies, and reflections on faith and culture.

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Atonement

Footstool of His Feet

The translation and theology of the Hebrew term kapporet have long been puzzling to scholars. On the translation of the term, I have nothing new to offer. I wish instead to concentrate on the theological symbolism of the kapporet . The kapporet was the solid gold slab that laid "above"…

by Peter LeithartMarch 9, 2017
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Art

The Hermeneutics of Haiku

“Three lines are enough” -Rabindranath Tagore My second favorite((I frequently use the “my second favorite” as a figure of speech meaning: “here’s a good one” and to also prompt the question, “What’s your first favorite?”)) haiku was written by some internet wag: Haikus are easy But sometimes they don’t make…

by Remy WilkinsMarch 7, 2017
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Biblical Studies

The Scriptures Made Strange

The history of the Reformation couldn’t adequately be recounted without discussing the remarkable role played by the relatively recent innovations and developments in book production and printing. The printing press facilitated the rapid production and dissemination of multiple copies of pamphlets and books, which enabled the Reformers to circulate their…

by Alastair RobertsMarch 2, 2017
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Church Calendar

School of Suffering

As evangelicals, we’re convinced that Christ’s work is finished, complete, and utterly sufficient. For many evangelicals, this is the gospel: Nothing can take away from Christ’s work, and surely nothing can be added to it by my works or my penance, by self-denial or sacraments or sacrifice. Nothing is lacking…

by Peter LeithartFebruary 28, 2017
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Eucharist

Worship and Ceremony: Part 1

Evangelicalism needs a return to formal and Biblical worship. Worship is a public act, performed on the surface of God's true altar, the world, before His throne. Man's chief end is to glorify and enjoy God, and worship is done for God's pleasure. It is man's highest privilege to dance…

by James B. JordanFebruary 23, 2017
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Romans

Grace Reigns In Death

The evidence of sin and its death ruling in the world is clear. Paul describes the situation vividly in the opening section of his letter to the Romans. No matter who you are, Jew or Gentile, you have the same problem: you are “under sin” (Romans 3:9). Being under sin…

by Bill SmithFebruary 21, 2017

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Literature

Courtly Shakespeare, II

To one of his servant, Shakespeare’s Macbeth says, “The devil damn thee black, thou cream-faced loon!” Davenant’s says, “Now, Friend, what means thy change of Countenance?” And for the wonderful surging lines in Macbeth 2.2.58-61 (including “the multitudinous seas incarnadine”), Davenant substituted the much weaker “can the Sea afford/ Water…

September 28, 2006
Literature

Courtly Shakespeare

Michael Dobson notes ( Shakespeare: An Illustrated Stage History ) that the restoration of drama in 1660 was not really a restoration but a re-creation, involving “a transformation of the London theatre, carried out by royal warrant” tht “forever altered the relationship between drama and the state, the design and…

September 28, 2006
Economics

Elegant dress

In his Theory of the Leisure Class , Thorstein Veblen notes that it is good if it shows that “the wearer can afford to consumer freely and uneconomically,” but beyond that should “make plain to all observers that the wearer is not engaged in any kind of productive labor.” Elegant…

September 27, 2006
Literature

Bowdlerized Shakespeare

In the Edinburgh Review notice regarding the publication of Bowdler’s Family Shakespeare (1821-22), Francis Jeffrey, Lord Rector of the University of Glasgow, praised the edition for meeting the needs of decent people everywhere: “Now it is quite undeniable, that there have been many passages in Shakespeare, which a father could…

September 27, 2006
History

The Good Old Days…

when the theater was taken seriously. Douglas Lanier writes, “On may 7 [1849] Edwin Forrest and William Macready, long-time Shakespearian rivals, mounted competing productions of Macbeth in New York City, Forrest at the Broadway Theater, Macready at the Astor Place Opera House. Forrest, an American actor of populist style and…

September 27, 2006
History

The Good Old Days…

when the theater was taken seriously. Douglas Lanier writes, “On may 7 [1849] Edwin Forrest and William Macready, long-time Shakespearian rivals, mounted competing productions of Macbeth in New York City, Forrest at the Broadway Theater, Macready at the Astor Place Opera House. Forrest, an American actor of populist style and…

September 27, 2006

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