Explore our collection of theological essays, biblical studies, and reflections on faith and culture.
Where do we go from here? Depending on one’s perspective, the American story can plausibly be interpreted in different ways. Looked at from past to present , we can see a great deal of continuity from medieval Christendom and the Reformation to America’s founding. The War for Independence, after all,…
Click HERE for Part 1 Civic Religion: American or Christian? We have already traced out the basic contours of the shift in America from an ecclesiocentric, theocratic social order to a secular one. Building on Locke and Hobbes, the Enlightenment accomplished an astonishing coup of Christendom. That victory for the…
Author’s Introductory Note: Engaging in broad historical interpretation as I am about to do is always risky. Necessarily, one “stylizes” history by simplifying, over generalizing, and stereotyping. But the narrative qualities of history are not simply due to the imposition of human rationality upon brute facts; rather history is always…
A. Repentance to life involves endeavoring to believe real hard that you’re saved. reject infant baptism. stop watching Buffy the Vampire Slayer. walk with God in all the ways of his commandments. B. What is necessary so that no sinner may expect to be forgiven unless he does it? Only…
The machine works mechanically and it is flawless. Slander/libel a group of Presbyterian ministers as “Romanist” because robes and James 2 are no worse than praying to Mary or relying on purgatory to pay for unconfessed sins. Drive off anyone who disagrees. Of that number, there may be a tiny…
If we take as a starting point the Tribal / Monarchical / Empire model, we can then add to it the Late Empire Phase. The particular ‘marker sin’ of Empire is false intermarriage, which signifies pluralism and syncretism. Empires by definition are “cosmopolitan” dominated by cities, high culture, many cultures,…
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Some of the following notes were taken from a longer introduction to Julius Caesar posted on this site some months ago. INTRODUCTION For several generations, Julius Caesar has been a staple of high school English literature, coming from a period when education was rooted in Greek and Roman classics and…
Paul Nickell’s 1951 Westinghouse Studio One production of Coriolanus is fast-paced, well-acted, and, making allowances for technological weaknesses, interesting and fun to watch. It is also very unlike the play that Shakespeare wrote. The play begins with plebs rioting (or milling around) in the streets of Rome, complaining about the…
The stage history of Coriolanus is as interesting as the play itself. It has provoked riots and demonstrations, and has been used as a way of preventing riots and demonstrations. Here are a few excerpts from RB Parker’s excellent introduction to the play (The Oxford Shakespeare): RIGHT-WING INTERPRETATIONS ?In reaction…
Glory and Song, 2 Chronicles 5:1-14 INTRODUCTION As we close out this brief series on worship, we will be looking at two separate but related issues: the glorification of worship, and music in worship. These are related in several ways: Music is itself a means of enhancing or glorifying worship;…
INTRODUCTION For Elizabethans, Rome was not only an ancient power but a very real contemporary power. The plays of Shakespeare that are set in Rome and those derived from Roman models often work in both registers, bringing papal Rome into plays set in ancient times. I will look at some…
I wonder: If we take Shakespeare’s Julius Caesar as a play about both ancient and Papal Rome, then the point seems to be that ecclesiastical imperialism is unavoidable, that it will take its vengeance and return in more virulent forms. The “puritans” like Cassius attempt to cut the head off…
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