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John

Israel Redux: The Image of Christ in the Gospel According to John (Part IV)

John 18, 19: Latter Prophets and the Writings John 18 and 19 record the arrest, trial, torture, and death of Jesus as laid out in detail in Isaiah 53. After the Roman soldier pierces Jesus’ side, John quotes Zechariah: “They shall look at him whom they pierced” (Zech 12:10). In…

by Geert HeetebrijDecember 6, 2018
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John

Israel Redux: The Image of Christ in the Gospel According to John (Part III)

John 12.12 – John 17: Latter Prophets In the Hebrew Scriptures, Kings is followed by the Latter Prophets. John 12:15 quotes Zechariah 9:9 as having prophesied Jesus’ triumphal entry: “Do not be afraid, O Daughter of Zion; see, your king is coming, seated on a donkey’s colt.” [1] N.T. Wright…

by Geert HeetebrijDecember 5, 2018
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John

Israel Redux: The Image of Christ in the Gospel According to John (Part II)

John 6.16-70: Joshua The book of Joshua documents the nation of Israel entering the Promised Land. Consider the order of events: (1) Israel is still receiving the daily miracle of manna; (2) Israel miraculously crosses the Jordan on dry foot; (3) The day after Passover , Israel eats produce of…

by Geert HeetebrijNovember 29, 2018
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John

Israel Redux: The Image of Christ in the Gospel According to John (Part I)

Since my educational and professional training have revolved around story and narrative structure, I approach John’s Gospel from a literary and narrative perspective. In doing so, I have noticed structural story patterns and followed them where they seem to lead: the Gospel of John parallels the ordering of the books…

by Geert HeetebrijNovember 27, 2018
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Art

The Clouds of Mt. Sinai

The Mt. Sinai Hospital was neolithic on the black hill of Hollow, New Hampshire. Winter dampened the trees and the wind bit at the sparse branches, the sidewalks and stairs were perilous with soggy leaves, and the dim yellow light cast a pallor upon the milky stone building. Ambling inside…

by Remy WilkinsNovember 22, 2018
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Revelation

Egypt and Sodom, Where the Lord was Crucified

The Revelation can only be understood in the light of Old Testament symbols and sequences. The same is true of the epistle of Jude, which serves as a blistering hors d’oeuvre to John’s fiery feast. Possibly written by the apostle Judas Thaddaeus (Luke 6:16; Acts 1:13; John 14:22), the epistle…

by Mike BullNovember 20, 2018

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Formation of Christian Theology

One of the best and most comprehensive of the new works on the development of Nicene theology is John Behr’s Formation of Christian Theology . The second volume covers the “Nicene Faith,” examining the theological background of the Arian debate, the development of the controversy, and the theologies of Athanasius…

February 10, 2016
Lent

Why Observe Lent?

To observe Lent rightly, we have to be persuaded that we already stand in God’s favor. Ash Wednesday reminds us to number our days. It helps us gain a heart of wisdom (Psalm 90:12). We keep Easter to manifest and deepen our prior share in resurrection. We observe Lent to…

February 9, 2016

Seven Angels

Revelation 14 is filled with “another angel” characters. It's odd, because “another angel” appears before there's an angel to be anothered to. How can there be another angel when they ain't been an angel in the first place? The phrase allos aggelos is sued six time (14:6, 8, 9, 15,…

February 9, 2016

Cinematic Density

Analyses of two scenes from The Thin Red Line in Steven Rybin's Terrence Malick and the Thought of Film , Michel Chion's The Thin Red Line , and Lloyd Michaels's Terrence Malick illustrate the almost unfathomable density of Malick's films. In the first scene, Dale, one of the soldiers of…

February 9, 2016

Tabernacle of Witness

After the harvest of Revelation 14, John sees another great sign in heaven, angels with bowls full of the passion of God (Revelation 15:1). As he watches, the “temple of the tabernacle of the testimony ( ho naos tes skenes tou marturiou ) in heaven” is opened (15:5) and angels…

February 8, 2016

Humean Cinema

Mark Cousins once clipped a weed from the grave of David Hume, taped it to a piece of paper, and sent it to Terrence Malick's agent. Not long after, Malick himself called, wanting to talk philosophy. Cousins recounts this in his contribution to The Cinema of Terrence Malick , and…

February 8, 2016

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