Explore our collection of theological essays, biblical studies, and reflections on faith and culture.
Place names become fraught with meaning by association with people and events. The name “Wittenberg” calls to mind Luther and the Reformation for Protestants and Catholics alike. Geneva has a wider range of associations, but the Reformation Wall, with its four main statues of William Farel, John Calvin, Theodore Beza,…
“…a mystery without a solution, a horror story without savagery, a nightmare in which all the watches stop at noonday…” The Bestial Gardens of Men Then they will say to the mountains, “Fall on us!” and to the hills, “Cover us!” (Luke 23:30) The following lines by Edgar Allan Poe,…
2 Samuel 11-12, which record David’s sin with Bathsheba and its aftermath, is structured chiastically: This arrangement highlights several things about the episode. It reinforces what is obvious from even a casual reading, that the transition in the story occurs with Nathan’s confrontation of David’s sin and David’s confession. Up…
Medieval bestiaries are packed with quaintly inaccurate information about animals, birds, and other created things. Foxes and snakes are devilish critters; stags, pelicans and elephants are Christlike in their various ways. Of course, the medievals picked this up from the Bible, where bestiary observations are fairly common. “Go to the…
What do Reformational Catholicism and craft beer have in common? The question seems to beg for a punchline. Better yet, it would be pretty good clickbait for an article on Katharina von Bora’s “spirited” contribution that helped spark the Protestant Reformation. Well, this is no joke and I am certainly…
Suffering Defined Suffering happens. We witness it all around us and experience it in our lives. It often comes from forces beyond our control. Suffering is inscrutable; it strikes unexpectedly, on a bright summer day or a cold winter night. We lament and are bewildered by suffering. But we are…
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James Jordan has suggested that the vision of new Jerusalem (Revelation 21:9-22:5) is arranged as a chiastic recasting of the creation week: A. Day 1: Light in the city, 21:10-11 B. Day 2: Boundaries and measurements of the city, 21:12-17 C. Day 3: Materials of the city, 21:18-21 D. Day…
The verb “show” ( deiknuo ) occurs eight times in Revelation, and the eight uses fall into a neat pattern. Twice at the beginning (1:1; 4:1) and twice at the end (22:6, 8), the verb is used with a generic object. God shows “things which must shortly take place” (1:1;…
In an essay on “barriers and bridges” in American religion, Stephen Warner emphasizes the role of music in building bridges, forging solidarity without requiring assent to a common set of propositions. He offers a florilegium of quotations from various scholars: “At an emotional level, there is something ‘deeper' about hearing…
William H. McNeill's Keeping Together in Time explores the role of “emotional bonding through rhythmic muscular movement” in history (52). The significance of the phenomenon occurred to him during military training in 1941: “A sense of pervasive movement in unison is what I recall; more specifically, strange sense of personal…
The final chapter of the Bible (Revelation 22:6-21) is a rapid series of speeches and dialogues, structured in fourfold parallelism. Each new section introduces a new speaker or speech with some form of “he said.” The speakers move from an angel to Jesus to the Spirit and bride. The chapter…
In a 2007 Bibliotheca Sacra article, Mark Hitchcock examines various theories about the identity of the seven heads of the beast in Revelation 17:9-11. It's been proposed that the number seven is purely symbolic of fulness, and that the heads are not to be identified with any historical characters. Hitchcock's…
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