Explore our collection of theological essays, biblical studies, and reflections on faith and culture.
When might the Gospel according to Matthew have been written? Of course, any answer can only be speculation, but that does not mean we are reduced to groundless opinion. In this series of articles I point the way to an approach different from the general consensus among scholars today which…
In my first essay on “synopticity” I offered a rather rough definition of the phenomenon and important, though not exhaustive examples. In this essay, I want to introduce broader aspects of the phenomenon of “synopticity.” The first example that I have in mind is conventional stories, stories of different historical…
Since the judgment of Babel was followed by the initiation of the circumcision, the impending end of the circumcision in AD70 explains the significance of the first century miracle of foreign tongues. Except for a few Aramaic “teasers” in the book of Daniel, the Word of God was monolingual and…
To the best of my knowledge “synopticity” is not a word used in theology or Biblical studies, but it seems an appropriate word to describe the kind of phenomena associated with the Synoptic Gospels, Matthew, Mark, and Luke. These three Gospels tell essentially the same story with significant — sometimes…
Humor is a funny thing. It is altogether familiar yet also mysterious. What makes us laugh? Why do we find things funny? There are academic fields of study dedicated to discovering what makes things humorous. These academicians even have a journal entitled International Journal of Humor Research . No joke.…
Out of all the characters in Geoffrey Chaucer’s The Canterbury Tales , the Pardoner has been called the “one lost soul.” The pious Parson, who closes out the collection of tales with a sermon on the seven deadly sins and how a sinner can absolve himself of them, connects the…
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Ruskin's concept of "typical beauty" is a piece of theological aesthetics. In the second volume of Modern Painters , Ruskin distinguished kinds of beauty, the typical and the vital. Of the first, he says: "that external quality of bodies already so often spoken of, and which, whether it occur in…
In the third volume of Modern Painters , Ruskin addresses the "German dulness, and English affectation" that has "multiplied among us the use of two of the most objectionable words that were ever coined by the troublesomeness of metaphysicians,—namely, 'Objective,' and 'Subjective.'" The words are "exquisitely . . . useless"…
George Landow argues ( Victorian Types, Victorian Shadows ) that the poetry of Gerald Manley Hopkins would look less bizarre, though no less innovative, if we placed Hopkins more firmly in the poetics of his time. Which is to say, placed him in the context of a typological poetics. Hopkins's…
Architecture, Ruskin claims ( Seven Lamps of Architecture ), isn’t the same as building. Architecture refers to the specifically artistic features of a building, and the specifically artistic features have to do with adornment and not function: “Architecture concerns itself only with those characters of an edifice which are above…
John Ruskin was the main art critic of his time; he was an artists himself, and also wrote on a variety of other topics, especially on the state of English politics and economy. He abandoned explicit attachment to Evangelical Christianity but remained deeply indebted. He provides an excellent example of…
Typological forms of thought weren't confined to sermons and commentaries, but made their way into 19 th -century English poetry. -Some poets put typology to orthodox uses, though here we can see divergent deployments of a similar typology. Elizabeth Barrett Browning wrote a poem, Casa Guidi Windows (1851) about the…
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