Explore our collection of theological essays, biblical studies, and reflections on faith and culture.
Keeping the Law Paul states just as emphatically as James that the doers of the law will be justified (Rom. 2:13; James 2:14ff). But who are these doers of the law? Is Paul speaking hypothetically of a class of sinless people who do not really exist? Or does he have…
I have entitled this super-condensed piece to capture interest, but the fact is it sets forth what I have believed and taught long before I had ever heard of the so-called “new perspective.” For example, one can look at my paper on Ephesians 2.15 , written before I had ever…
N. T. Wright and other “New Perspective on Paul” (NPP) theologians have been criticized and condemned for speaking of justification in various “tenses.” In fact, Wright typically begins discussions of justification with future justification and works his way back to the present. But this is hardly a novelty. While the…
A doctrine of “faith alone” must be explicated and lived out in the light of the larger story of faithfulness, a story that reaches its climax in Jesus, the faithful Messiah. Indeed, the idea of “faith alone,” and even Paul’s use of the OT in service of that idea, makes…
In every city in the United States there are at least a couple of Christian radio stations which broadcast preaching around the clock, seven days a week. Many areas have a Christian television station or two which broadcast worship services several hours a day. Almost any bookstore will have a…
The queston has been discussed: which is prior, faith or repentance? It is an unnecessary question and the insistence that one is prior to the other is futile. There is no priority. The faith that is unto salvation is a penitent faith and the repentance that is unto life is…
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Ruskin's concept of "typical beauty" is a piece of theological aesthetics. In the second volume of Modern Painters , Ruskin distinguished kinds of beauty, the typical and the vital. Of the first, he says: "that external quality of bodies already so often spoken of, and which, whether it occur in…
In the third volume of Modern Painters , Ruskin addresses the "German dulness, and English affectation" that has "multiplied among us the use of two of the most objectionable words that were ever coined by the troublesomeness of metaphysicians,—namely, 'Objective,' and 'Subjective.'" The words are "exquisitely . . . useless"…
George Landow argues ( Victorian Types, Victorian Shadows ) that the poetry of Gerald Manley Hopkins would look less bizarre, though no less innovative, if we placed Hopkins more firmly in the poetics of his time. Which is to say, placed him in the context of a typological poetics. Hopkins's…
Architecture, Ruskin claims ( Seven Lamps of Architecture ), isn’t the same as building. Architecture refers to the specifically artistic features of a building, and the specifically artistic features have to do with adornment and not function: “Architecture concerns itself only with those characters of an edifice which are above…
John Ruskin was the main art critic of his time; he was an artists himself, and also wrote on a variety of other topics, especially on the state of English politics and economy. He abandoned explicit attachment to Evangelical Christianity but remained deeply indebted. He provides an excellent example of…
Typological forms of thought weren't confined to sermons and commentaries, but made their way into 19 th -century English poetry. -Some poets put typology to orthodox uses, though here we can see divergent deployments of a similar typology. Elizabeth Barrett Browning wrote a poem, Casa Guidi Windows (1851) about the…
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