Explore our collection of theological essays, biblical studies, and reflections on faith and culture.
The god of Israel was not just any god. Two thousand years of Christian history, with it’s besetting philosophical temptations, and full-blown deist and transcendentalist and universalist problems, have obscured the fact that, in itself, the identity of the true god (or gods) cannot be predetermined, any more than the…
Jacob and Solomon God gave wealth and possessions to Jacob, and then threatened to take them all away at Peniel. Jacob wrestled with God, and through prayer Jacob saw through the crisis by faith and was made victor (Hosea 12:4). The Kingdom period in Israel concerns the same themes. We…
In our study of the historical impact and unfolding of the Ten Words of God, we now arrive at the Third Word. The Third Word prohibits hypocrisy, and when we realize this, we can see right away that disobeying the Third Word is closely tied to the situation of Israel…
Abraham and Joshua In our previous two essays, we considered aspects of the lives of Abraham and Jacob, as these display how God works with men in history. These two men carry in themselves all the future of Israel, so to speak, and their lives at the individual level correspond…
Part 5: Laying New Foundations in a Dying World (continued) Physical Training Though it is seldom recognized any more, the fact is that no liberal arts and no science is possible apart from peace, and peace is only possible if there is a strong military presence that protects a nation.…
Last month, in our essay " Patriarchal Dominion ," we observed the flow from Abraham to Jacob to Joseph. Our concern here is to advance our understanding of that narrative flow. I should mention that I am assuming much that is found in my book Primeval Saints: Studies in the…
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Ruskin's concept of "typical beauty" is a piece of theological aesthetics. In the second volume of Modern Painters , Ruskin distinguished kinds of beauty, the typical and the vital. Of the first, he says: "that external quality of bodies already so often spoken of, and which, whether it occur in…
In the third volume of Modern Painters , Ruskin addresses the "German dulness, and English affectation" that has "multiplied among us the use of two of the most objectionable words that were ever coined by the troublesomeness of metaphysicians,—namely, 'Objective,' and 'Subjective.'" The words are "exquisitely . . . useless"…
George Landow argues ( Victorian Types, Victorian Shadows ) that the poetry of Gerald Manley Hopkins would look less bizarre, though no less innovative, if we placed Hopkins more firmly in the poetics of his time. Which is to say, placed him in the context of a typological poetics. Hopkins's…
Architecture, Ruskin claims ( Seven Lamps of Architecture ), isn’t the same as building. Architecture refers to the specifically artistic features of a building, and the specifically artistic features have to do with adornment and not function: “Architecture concerns itself only with those characters of an edifice which are above…
John Ruskin was the main art critic of his time; he was an artists himself, and also wrote on a variety of other topics, especially on the state of English politics and economy. He abandoned explicit attachment to Evangelical Christianity but remained deeply indebted. He provides an excellent example of…
Typological forms of thought weren't confined to sermons and commentaries, but made their way into 19 th -century English poetry. -Some poets put typology to orthodox uses, though here we can see divergent deployments of a similar typology. Elizabeth Barrett Browning wrote a poem, Casa Guidi Windows (1851) about the…
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