Explore our collection of theological essays, biblical studies, and reflections on faith and culture.
The book of Isaiah has a very brief introduction, one verse, and then plunges into a searing indictment of the people of Judah and Jerusalem. They are sons who do not honor their father, worse than donkeys and oxen who at least know their master. They are a bruised and…
This is the third of a three-part essay. The Literary Reader As a conclusion to this essay, I want to make some observations that grow out of C. S. Lewis’s remarkable Experiment in Criticism , mentioned in an earlier installment. What Lewis is interested in doing is coming up with…
Metropolitan Manifesto, the new work from Theopolis fellow Richard Bledsoe, and first "Theopolis Books" release, is out today! Head over to the Athanasius Press website to get a copy. Half the world's population now lives in cities, and that is where the Church must learn to serve. Rev. Richard Bledsoe…
This is the second portion of a three-part essay. Learning to Read Learning to read the Bible is easier said than done, of course. There are several reasons for this, and they all have to do with the art of reading. Reading is an art and not a science, and…
“It instilled a real and abiding change in the way I understand my life as a disciple of Jesus Christ,” said Clint Hail, a Community Development Coordinator out of Dallas who attended Theopolis’ course on Mission to the City . “The course renovated the way I understand the challenges facing,…
What does it mean to read the Bible as inspired literature? The method is not new nor is it uncommon in Dutch Reformed circles. Exegesis must be Christocentric, plenary (all the text serves a theological purpose), respect the context in God’s redemptive plan, and plumb the full literary depth of…
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Jonathan Ree’s delightful I See A Voice glances at Enlightenment-era efforts to work out analogies between color and musical harmonies. Newton’s Optics was key. He argued that “just as all different tones can be located on a single scale running from the highest to the lowest pitch of audible sound,…
We don’t hear sounds, Heidegger said. That’s an abstraction. What we hear are things making sounds - “the creaking wagon, or the motor cycle . . . the column on the mark, the north wind, the woodpecker tapping, the fire crackling” (quoted in Jonathan Ree, I See A Voice ,…
Voice has often been seen as expression, as the coming into public space of something within. Given its reliance on breath, it was easy to conclude that voice is the expression of the soul. According to Ree ( I See A Voice ), it was Herder who broke through this…
Diane Thompson concludes her essay in Dostoevsky and the Christian Tradition with this superb description of the place of God’s Word in the words of Dostoevsky’s novels, and his characters: “Dostoevsky’s feeling for the dynamic aspect of the Logos was exceptionally strong, as was his gift for making it a…
Consciousness enters the world and the stones remain stones and the sun the sun. Still existence becomes completely different when consciousness arises, Bakhtin argues in Speech Genres . This happens become the coming of consciousness is the coming of “the witness and the judge” (137). “A stone is still stony…
Nabokov didn’t much like Dostoevsky. What interests him in literature is “enduring art and individual genius,” and from this viewpoint Dostoevsky is mediocre: “with flashes of excellent humor, but, alas, with wastelands of literary platitudes in between” ( Lectures on Russian Literature , 68). His characters are mentally unbalanced, his…
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