Explore our collection of theological essays, biblical studies, and reflections on faith and culture.
If utopia is a perfect place or at least the best possible social arrangement, it must be a very dull place where any change is a change for worse and not for better, where nothing can be new and good at the same time. There can be no conflict in…
Christians, even those who say much about ‘incarnational’ faith, can say surprisingly little about the way that God claims our bodies . Perhaps this is most striking in treatments of baptism, where the intensely bodily character of the rite would especially seem to invite comment. Even if the term ‘baptism’…
Dear Pastor, I believe the locus of the difference between us is your statement here: "There are mothers who choose to risk their lives and even die to preserve the fetus, there are those who wouldn't. There are the circumstances of the individual, family, income, community, illness, risk factors, etc..…
New Year’s resolutions for weight loss are practically on the liturgical calendar of America. Somewhere around the beginning of a new year, people resolve that they will get in better shape. Some are made to feel guilty by the obesity police in our country (whose standards are, many times, very…
Click HERE for Part 1 After sending my letter to the local pastors, I received a long and thoughtful post from one of the local pastors, and it was sent not just to me, but to all of the pastors whom I e-mailed. Unfortunately, I do not feel I can…
Narrative and story have been all the rage in theology for the last few decades. The attractions are obvious. Narrative theologians favor the active, unpredictable, vibrant God of Scripture to the impersonal first principle of philosophical theology. Narrative theologians reject the notion that theologians need to justify their work by…
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There’s an interview regarding by recent book on empire at http://thegospelcoalition.org/blogs/trevinwax/ this morning.
Shylock has been played for sympathy frequently in the past century. But the sense that his character fits badly in a comedy is an old one. Already in 1709, Nicholas Rowe wrote, “Tho’ we have seen that Play Receiv’d and Acted as a Comedy, and the Part of the Jew…
In an old article in the Shakespeare Quarterly , Barbara Lewalski suggests that Merchant of Venice is a moralistic allegory depicting the character of Christian love. In the play, Christian love involves “giving and forgiving: it demands an attitude of carelessness regarding the things of this world founded upon a…
Mahood again ( The Merchant of Venice (The New Cambridge Shakespeare) ), describing Shakespeare’s and Shylock’s use of the gospels in the play (p. 198-9). “On Shylock’s first meeting with Bassanio, his detestation of the Christians breaks out in the dactylic rhythm and harsh consonants of ’ to eat of…
In an appendix to his edition of The Merchant of Venice (The New Cambridge Shakespeare) (pp. 197-8) , M. M. Mahood explores Shakespeare’s use of the Bible in the play. He notes the extensive echoes of the Jacob narrative, some explicit some not so much. “Shakespeare is unlikely ever to…
Should we love God disinterestedly, without expectation or desire for return from Him, without any desire for happiness? It’s a common idea, but Milbank rightly argues against it. He asks “what constitutes God’s loveability”? His answer” “every charm, every attractive feature of anything whatsoever, radiates outwards, rendering things apprehensible and…
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