Explore our collection of theological essays, biblical studies, and reflections on faith and culture.
Interwoven within Leviticus’ opening offerings is a redemptive storyline meant to be rehearsed. Each offering makes a particular contribution to the retelling of the Exodus deliverance. Like learning a dance, Israel’s opening rituals recount their steps from Egypt to Sinai in a fashion meant to perpetually imprint its experience on…
In Capernaum, the leaders of Israel questioned Jesus in their hearts. Beside the sea, they questioned his disciples about their rabbi’s practices. They challenged Jesus in the grain fields, sought to trap him in the synagogue, tried to seize him, thinking he was mad, and accused him of being possessed.…
An essay on ministry taken from recent notes for a ‘solemn charge’ I gave our pastoral team (together with their spouses) at All Saints Honolulu, a church-plant that enters its fifth year. I. After receiving the sword of Goliath from Ahimelech at Nob, and after fleeing first to and then…
When thinking about the book of Genesis, we often think of beginnings, the beginning of the world, humanity, the elect people of God. The word “genesis” itself means beginning. Genesis is also known as the book of promises. Genesis contains three of the major Old Testament covenants: Adamic, Noahic and…
A Theological and Typological Commentary on Luke 24:4 In Luke 24:4, we are told that as the women arrived at the tomb on Easter morning, they encountered “two men in dazzling apparel” standing beside them. This description, on its own, may not immediately provoke questions. The traditional interpretation identifies these…
For Part 1, click HERE . The four Gospel accounts give us their strange and wonderful historical accounts of the resurrection of Jesus. The rest of the New Testament, either explicitly or by suggestion, refers to the resurrection in every book except 3 John. Unlike the Gospel accounts, however, most…
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Plays might be promoted as a kind of opiate of the masses: Mass entertainment that keeps them from more violent entertainments like rioting and pillaging. This could be problematic, if the entertainments were too heady for most people to follow. Thomas Heywood (1612) suggested that playwrights should “ayme . .…
How regulated was Shakespeare’s own theater? And for what reasons? Patterson highlights various reasons for closing or permitting theaters: audience composition, including the fear that a large collection of workers might be distruptive; public health; economic concerns; religious and moral concerns, especially Sabbatarian; and “a shifting and elusive imperative to…
Shakespeare’s fortunes in the US were, understandably, different from in England. Initially, Shakespeare was America’s most popular playwright, appealing to a wide sector of the American populace. Patterson notes that “by the end of the nineteenth century ‘Shakespeare’ had become a cultural icon, the property only of the ‘legitimate theater,’…
Annabel Patterson notes ( Shakespeare and the Popular Voice ) that contemporary critics, whatever their own political outlook, assume that Shakespeare was an advocate of Elizabethan hierarchy. This view, however, is a product of the 19th century. Dryden, Johnson, and others criticize Shakespeare for violating the conventions of his genre,…
By the 18th century, acting styles also invested Shakespeare with “courtly” virtues of control, dignity, stateliness. Dobson writes, “Shakespearian acting . . . in the decades following Betterton’s death in 1710, seems to have settled into a grandiloquent vein of static declamation, best exemplified by the stout James Quin (1693-1766)…
Dobson again: “after Charles II’s death in 1685 England would never again have another monarch with such an informed interest in the drama (or, mercifully, such a lascivious one), and deprived of royal patronage and protection the playhouses came under renewed attack from the moralists (led by the redoubtable clergyman…
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