Explore our collection of theological essays, biblical studies, and reflections on faith and culture.
I begin with a proposition: The Old Testament is not so much a collection of biographies as a biography. The Old Testament is the biography of Jesus, the Son of God. And as such, the Old Testament is the biography of God. This is what Jesus Himself says about the…
Trinity House Institute joins with the Alliance of the Reformed Churches in Ukraine to co-sponsor a conference in Kyiv, Ukraine, on September 19-20. Peter Leithart, President of Trinity House, will deliver a series of lectures on hermeneutics. He will also deliver several lectures at Ostrog Academy on September 18.
Vera Pavlova (b. 1963) has published over a dozen collections of poems in Russian. She came rather late to poetry. In her youth, she studied music and began writing poetry in her early 20s while she was in the maternity ward after giving birth to her first child. Her first…
Registration is now open for the Advent class at Trinity. James Jordan will lecture on the book of Genesis, the book of beginnings, December 16-20. There will be a kickoff welcome on December 15, and classes will be held at Trinity Presbyterian Church . Registration is open until November 1.
In 1533, Hugh Latimer, already well-known in the city of Bristol, preached a series of sermons attacking “pylgremages, worshyppying of seyntes, wurshypyng off ymages, off purgatory, &c. yn the whyche he dyd vehemently perswade towarde the contrary.” The writer of this account went on to say that “the people ware…
Even if Adam had never sinned, there would have been structures of authority, and authority would have been invested in particular men and women. Authority is not a postlapsarian rescue operation; it’s essential to the good of human life. Unfallen Cain might have wanted to build his new home on…
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Plays might be promoted as a kind of opiate of the masses: Mass entertainment that keeps them from more violent entertainments like rioting and pillaging. This could be problematic, if the entertainments were too heady for most people to follow. Thomas Heywood (1612) suggested that playwrights should “ayme . .…
How regulated was Shakespeare’s own theater? And for what reasons? Patterson highlights various reasons for closing or permitting theaters: audience composition, including the fear that a large collection of workers might be distruptive; public health; economic concerns; religious and moral concerns, especially Sabbatarian; and “a shifting and elusive imperative to…
Shakespeare’s fortunes in the US were, understandably, different from in England. Initially, Shakespeare was America’s most popular playwright, appealing to a wide sector of the American populace. Patterson notes that “by the end of the nineteenth century ‘Shakespeare’ had become a cultural icon, the property only of the ‘legitimate theater,’…
Annabel Patterson notes ( Shakespeare and the Popular Voice ) that contemporary critics, whatever their own political outlook, assume that Shakespeare was an advocate of Elizabethan hierarchy. This view, however, is a product of the 19th century. Dryden, Johnson, and others criticize Shakespeare for violating the conventions of his genre,…
By the 18th century, acting styles also invested Shakespeare with “courtly” virtues of control, dignity, stateliness. Dobson writes, “Shakespearian acting . . . in the decades following Betterton’s death in 1710, seems to have settled into a grandiloquent vein of static declamation, best exemplified by the stout James Quin (1693-1766)…
Dobson again: “after Charles II’s death in 1685 England would never again have another monarch with such an informed interest in the drama (or, mercifully, such a lascivious one), and deprived of royal patronage and protection the playhouses came under renewed attack from the moralists (led by the redoubtable clergyman…
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