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Luke

Table Talk

Along His journey to Jerusalem, Jesus stops frequently to have meals, three times with Pharisees (7:37-50; 11:37-54; 14:1-35). Meals were central to Jesus’ ministry. He comes “eating and drinking” (Luke 7:34). While His meals are not just for refreshment, they are opportunities for teaching the protocols of the kingdom. Meals…

by Peter LeithartApril 19, 2016
music-violin
Biblical Theology

A Musical Case for Typological Realism, (Part 4)

Time as a realm of participation can be difficult for us imaginatively to grasp. While music is a profoundly temporal art, exploring the medium of time like no other, most of our temporal experience seems decidedly unmusical in character, disjointed and unorchestrated. The form in which we naturally discover time…

by Alastair RobertsApril 14, 2016
John

Jesus' Burial Clothes

John devotes much attention to Jesus’ burial clothes. He tells us that Nicodemus brought about a hundred pounds of myrrh and aloes to spice Jesus body, and that He was bound in linen wrappings. We find out that His body and His head were wrapped separately. (John 19:39-40; 20:6-7). When…

by James B. JordanApril 12, 2016
clock
Biblical Theology

A Musical Case for Typological Realism, (Part 3)

Thinking about time in terms of music also helps us to appreciate its unity and inner relations. Henri Bergson observes our cultural habit of dividing time into discrete moments, and conceiving of these as if akin to objects in a spatial succession. [1] Against such a notion, Bergson argues for…

by Alastair RobertsApril 7, 2016
screen-shot-2016-03-31-at-9-32-11-am
Biblical Theology

A Musical Case for Typological Realism, (Part 2)

As we attend to these and other aspects of music’s temporality, Begbie suggests, we will find means by which to resist some of our habitual modern ways of conceptualizing time, most especially our tendency to conceive of time as if it were a homogeneous set of technologically quantifiable units laid…

by Alastair RobertsMarch 31, 2016
biblioteca-vasconcelos-crop
Biblical Theology

Systematic Typology (Part Three)

The Hidden Dimension In many fields of scientific study, the apparent complications and contradictions are dispelled once the internal logic is perceived. Biblical hermeneutics is no different, since the author of Creation is the Author of the Word. The Bible’s literary labyrinth radiates organically from an algorithm so simple it…

by Mike BullMarch 29, 2016

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Where Is Boasting?

Simon Gathercole’s Where Is Boasting has some stimulating insights into the argument of Romans 2, and some important objections to the NPP. The following notes are based on Gathercole: 1) It is clear that in Romans 2, Paul considers this Jew to be unrepentant and an apostate from Judaism. It…

December 14, 2003

Lutheran Socks

Seen on a pair of socks at the recent Atlanta AAR/SBL convention: “Hier stehe ich. Ich kann nicht anders” (“Here I stand. I can do no other.”)

December 14, 2003
Theology

Ward, Religion, and Romeo and Juliet

Graham Ward begins his book True Religion with a discussion of the use of the word “religion” in Shakespeare’s Romeo and Juliet , and then compares two film versions to explore how the religious theme of the play is handled. The two film versions are Franco Zeffirelli’s and Baz Luhrmann’s.…

December 13, 2003
Literature

Parker’s Back

Doug Jones read Flannery O’Connor’s story, “Parker’s Back” at our weekly disputatio today. What a wonderful story! It includes a burning bush and theophany; a baptismal vigil that ends with the main character, O.E. Parker, bearing a tattooed picture of Jesus on his back; a temple-cleansing, when O.E. gets into…

December 13, 2003
Literature

Parker’s Back

Doug Jones read Flannery O’Connor’s story, “Parker’s Back” at our weekly disputatio today. What a wonderful story! It includes a burning bush and theophany; a baptismal vigil that ends with the main character, O.E. Parker, bearing a tattooed picture of Jesus on his back; a temple-cleansing, when O.E. gets into…

December 13, 2003

Parallel Sections of Jonah

I have long thought of the two parallel sections of Jonah as basically retellings of the same story, but now I’m thinking that they are consecutive thematically as well as chronologically. Here’s the typology: Jonah/Israel is called to witness to the nations, and refuses. Yahweh forces him into exile in…

December 13, 2003

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