Explore our collection of theological essays, biblical studies, and reflections on faith and culture.
Reflecting on the centennial of the Fundamentalist-Modernist Controversy, Theopolis contributor Tim Nichols asked Dr. Leithart and me what the five fundamentals of the faith were today . His thoughts went something like this: Back in the early 20th century, in response to a ruinous drift away from the historic Christian…
1. Introduction In this article, I delve into some parallels found in the scholarly analysis of two important literary works: the Testimonium Flavianum by Josephus ( Antiquities 18.63–64) and the Olivet Discourse in the gospel of Matthew (Matthew 24–25). These texts have been at the center of countless academic discussions,…
Over the last twenty years, our American culture has created a culture of obsession over trauma. This could be a result of publications such as The Body Keeps the Score by Bessel van der Kolk, which explores the lasting effect on health that traumatic experiences can have. Or it could…
The Beloved celebrates the beauty of his Shulamite’s lips, describing them as “a thread of crimson” upon a mouth that is altogether lovely (Song 4:3). It were easy perhaps to pass by this all too quickly, passing it off, if we attend to it at all, as a kind of…
This article originally appeared at American Reformer on October 29, 2025. Reproduced with permission. Why the West Was Never Meant to Be Governed by Law Alone Back in the early nineties, I was in the candidate process for Undergraduate Pilot Training with the Texas Air National Guard, hoping to fly…
In his book From Silence to Song: The Davidic Liturgical Revolution , Peter Leithart shows that David, the author of so many Psalms and the musician who trained choirs, instituted a musical and liturgical revolution of how the people of Israel worshipped. The liturgical revolution in turn was designed to…
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B orn to Run is an anthem of escape, seemingly an exodus from the confinements of small-town America: “H-Oh, Baby this town rips the bones from your back / It’s a death trap, it’s a suicide rap / We gotta get out while we’re young / ‘Cause tramps like us,…
T errence Rafferty calls filmmaker Guillermo del Toro the “Master of Highbrow Horror” ( The Atlantic ). He traces del Toro’s aesthetic to a childlike mix of fear and fascination: “Toro’s work isn’t simply the something’s-out-to-get-you feeling of conventional scare pictures. It’s fear mixed with fascination, a childlike wonder at…
I n an essay on the notion of “cosmopolitanism,” Wayne Cristaudo presents Franz Rosenzweig and Eugen Rosenstock-Huessy as thinkers who propose an un philosophical cosmopolitanism. That un- is critical, Crustaudo thinks, to a genuine recognition of and reckoning with difference: Both Rosenzweig and Rosenstock oppose “the more typical philosophical approach…
J anet Adelman ( Blood Relations ) devotes an interesting chapter to analyzing Lancelot’s departure from Shylock’s house, and his strange reunion with his father Gobbo, in Merchant of Venice . Lancelot has been Shylock’s servant, but he has had enough and, like Shylock’s daughter Jessica, he leaves for the…
I n his provocative essay on Gender , Ivan Illich describes a shift from “vernacular gender” to “social sex.” By the former, he meant “a distinction in behavior, a distinction universal in vernacular cultures. It distinguishes places, times, tools, tasks, forms of speech, gestures, and perceptions that are associated with…
Ivan Illich ( Gender ) points to the differences between the activities of a modern housewife and those of her grandmother. They are practically and economically quite distinct. “When a modern housewife goes to the market, picks up the eggs, drives them home in her car, takes the elevator to…
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