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Biblical Horizons

On Not Yoking an Ox and an Ass Together

5. Simeon and Levi: Brothers they destroyed. They treated violently their circumcised-covenant fellows. 6. "Into their counsel let not my soul enter. Into their assembly let not my glory join. For in their anger they killed a man, And in their pleasure they hamstrung an ox. 7. Cursed is their…

by James B. JordanAugust 4, 2000
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Biblical Horizons

The Seven Edomite Kings

The fact that there is a "week" of seven kings over Edom, before we come to an eighth, hints that perhaps these have some link with the days of Genesis 1, especially as we find this list in the book of Genesis. Clearly the list of seven speaks of the…

by James B. JordanJuly 4, 2000
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Theologia

The Ethic of Eternal Schism

Remember, whatever sins are committed by those with whom you are in covenant are your sins as well. You need to fear the judgment of God if you continue to be part of this denomination. I have recently discovered that the above rationalization is floating around cyberspace to justify breaking…

by Mark HorneJune 3, 2000
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Biblical Horizons

Not Drunk As You Suppose

While Samuel’s mother Hannah prays at the tabernacle, the high priest Eli sees her lips moving silently and concludes that she is drunk (1 Samuel 1:13-14). Hannah protests that she has poured nothing into her, but is "pouring out" her soul before Yahweh; far from being giddy with wine, she…

by Peter LeithartMay 27, 2000
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Federal Vision

CREDO | Regarding Personal Justification before God

For the record: I believe that those whom God effectually calls, he also freely justifies: not by infusing righteousness into them, but by pardoning their sins, and by accounting and accepting their persons as righteous; not for anything wrought in them, or done by them, but for Christ’s sake alone;…

by Mark HorneMay 20, 2000
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Biblical Horizons

How to Chant the Psalms

Over the years, the ministry of Biblical Horizons has strongly advocated singing the psalms in worship. The Psalter is God’s hymnal, and we don’t need any prooftexts to know that as such, it should form the center of our praise to Him. To be sure, other hymns are permitted, just…

by James B. JordanJanuary 4, 2000

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Overlapping Structures in Revelation 21-22

James Jordan has suggested that the vision of new Jerusalem (Revelation 21:9-22:5) is arranged as a chiastic recasting of the creation week: A. Day 1: Light in the city, 21:10-11 B. Day 2: Boundaries and measurements of the city, 21:12-17 C. Day 3: Materials of the city, 21:18-21 D. Day…

July 30, 2015

Show & Tell

The verb “show” ( deiknuo ) occurs eight times in Revelation, and the eight uses fall into a neat pattern. Twice at the beginning (1:1; 4:1) and twice at the end (22:6, 8), the verb is used with a generic object. God shows “things which must shortly take place” (1:1;…

July 30, 2015

Musical Bridges

In an essay on “barriers and bridges” in American religion, Stephen Warner emphasizes the role of music in building bridges, forging solidarity without requiring assent to a common set of propositions. He offers a florilegium of quotations from various scholars: “At an emotional level, there is something ‘deeper' about hearing…

July 30, 2015

Keeping Time, Keeping Together

William H. McNeill's Keeping Together in Time explores the role of “emotional bonding through rhythmic muscular movement” in history (52). The significance of the phenomenon occurred to him during military training in 1941: “A sense of pervasive movement in unison is what I recall; more specifically, strange sense of personal…

July 30, 2015

End of the End

The final chapter of the Bible (Revelation 22:6-21) is a rapid series of speeches and dialogues, structured in fourfold parallelism. Each new section introduces a new speaker or speech with some form of “he said.” The speakers move from an angel to Jesus to the Spirit and bride. The chapter…

July 29, 2015

Seven Heads

In a 2007 Bibliotheca Sacra article, Mark Hitchcock examines various theories about the identity of the seven heads of the beast in Revelation 17:9-11. It's been proposed that the number seven is purely symbolic of fulness, and that the heads are not to be identified with any historical characters. Hitchcock's…

July 29, 2015

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