Explore our collection of theological essays, biblical studies, and reflections on faith and culture.
Understanding Shakespeare’s Biblical references is vital for the interpretation of many, if not all, of Shakespeare’s plays. For Othello , it is especially important, not only because the interpretation of the play is contested among various approaches — feminist, homosexual, post-colonial, Marxist, Freudian, new historical, and others — but also…
Mike Allen of Reformed Theological Seminary, Orlando, scores some points in his review of The End of Protestantism . He lodges the fair complaint that my rhetoric sometimes outruns my evidence. He argues that more stress on the present reality of the church’s unity deepens the tragedy of division; divisions…
I begin with two observations. First, on any millennial view, the Christian account of history is progressive, moving from the garden to the city. It is eschatological not only in that there is an end, but that the end is a glorified beginning, not merely a return to origins. To…
The church is a new form of polity that erupts into the world as much as the Son of God comes into the world. It’s a real-world political alternative to the polities of the ancient world. It resolves many of the political dilemmas of the ancient world, though not simply…
In my last post , I explained how Baptists really have a “one-ordinance-one sacrament” ecclesiology. I said this: “what Baptists really believe, in modern parlance, is that there is one ordinance (baptism which is a sign or symbol only) and one sacrament (the Lord’s Supper in which feeding upon Jesus…
One of the most extensive and penetrating responses to the Yoder-Hauerwas attack on Constantiniansm is found in Oliver O’Donovan’s Desire of Nations , in a chapter entitled “The Obedience of Rulers.” O’Donovan defines the word “Christendom” as “a historical idea,” specifically “the idea of a professedly Christian secular political order,…
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In contrast to other commentators, Stephen Smalley ( The Revelation to John ) doesn't think the “wrath” of God in Revelation should be understood as “the impersonal consequence of sin, worked out in history and disclosed at the parousia.” In Revelation and the rest of the New Testament, rather, “‘wrath'…
Adrian Daub and Charles Kronengold examine the James Bond Songs in a forthcoming book. It doesn't seem an especially promising subject; it's not the kind of thing you expect from the venerable Oxford University Press. But Daub and Kronengold show that the music is revealing in more ways that the…
Babylon is first mentioned in Revelation in 14:8, and is immediately associated with wine. It's called the “wine of the passion of her immorality.” That suggests a number of connections. The Song of Songs links wine with love: Love is better than wine, and the lovers drink each other and…
Drawing on Andrew Walls's idea of the “Ephesian moment” in world Christianity, Emmanuel Katongole notes that the coming together of different cultures into the church depends on a common table: “the expression and test of that coming together was the meal table: ‘two cultures historically separated by the meal table…
Three angels issue announcements in Revelation 14. The first angel is said to be flying in midheaven (14:6), the same phrase used for the eagle who appears after the fourth trumpet blows (8:13). Both speak with a loud voice (8:13; 14:7). The messages are somewhat contrasting: The angel announces three…
Scholars have doubted the coherence of this chapter, one calling is a “pastiche” of themes from other parts of the book of Revelation. In a brilliant article, Pieter GR de Villiers has presented a compelling structural analysis of the whole chapter. As a number of scholars have pointed out, chapter…
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