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Matthew

What Tune is Playing? (Matthew 11:1-19)

Matthew’s gospel is a replay of Israel’s history, and this replay occurs at two different levels. On the one hand, Jesus relives Israel’s history and does it faithfully. He is the Son, the true Israel, called out of Egypt, baptized in the sea, tempted in the wilderness. He is the…

by Peter LeithartJanuary 14, 2014
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Theopolis News

Constantine, Christendom, Christian Renewal

Trinity House President Peter Leithart will deliver two lectures at the Eighth Day Institute annual conference in Wichita, Kansas, January 16-18. The conference theme is "Constantine, Christendom, and Christian Renewal," and Dr. Leithart will be lecturing on Constantine. Dr. Leithart will preach on Sunday, January 19, at Trinity Covenant Church…

by Peter LeithartJanuary 13, 2014
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Matthew

Treasures in Matthew's Genealogy, 2

In the previous article, we considered the life of Abraham up to the birth of Isaac and the way in which his life up to that point foreshadows later redemptive history. Our reason for this consideration was at the Gospel of Matthew's behest. He pointed us in that direction. He…

by Kelly KerrJanuary 9, 2014
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Theology

The Trinity and the Nations, 3

The Spirit of Speech The last period in Israel’s history arrives almost from nowhere. The prophets appear unannounced, give short, but earth-shattering messages and then are whisked away by the Spirit (1 Kings 18:12). They do not hold high positions in Israel, but their words give them great political sway.…

by Brian MarrJanuary 7, 2014
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Theopolis News

Nevin Lectures

Trinity House Institute is delighted to announce our first annual series of Nevin Lectures. Timothy George, Dean and Professor of Church History at Beeson Divinity School, will deliver four lectures on “Sacramental Theology from a Baptist Perspective” on February 7-8, 2014 at Trinity Presbyterian Church in Birmingham, Alabama. More information...…

by TheopolisJanuary 2, 2014
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Revelation

Him Whom They Pierced

Revelation 1: 7 states the theme of Revelation. It is a self-standing verse, beginning and ending with “Amen” (the “Amen” at the end of verse 6 should be taken as the beginning of the statement in verse 7). A double Amen as a double witness, and it becomes a threefold…

by Peter LeithartJanuary 1, 2014

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At the breast

The Torah never mentions breasts as an object of erotic fascination; they are solely nourishment for infants. In the wisdom literature, things are different. Solomon encourages young men to delight in the breasts of their wives - not of another, a strange woman (Proverbs 5) -, and in the Song…

February 14, 2013

Uncontained beauty

Solomon describes the beauty of his beloved in a neat and symmetrical poem in Song of Songs 7:1-6. Framed by “how beautiful you are” (vv. 1, 6), the poem describes ten features of her body. He starts with her feet and his gaze makes its way up. The ten features…

February 14, 2013
Literature

Books and Covers

The old adage applies in spades to the covers of Pride and Prejudice sampled in the NYTBR . Don’t judge the book by any of these covers, especially the Lady Godiva, the Twilight knock-off, and the “smokin’ bad boy Darcy” ones.

February 14, 2013

Concealed technology

Technology promises to accomplish the same things that have always been done more efficiently. Borgmann is skeptical ( Technology and the Character of Contemporary Life: A Philosophical Inquiry ) (45-46), and he summarizes George Sturt’s The Wheelwright’s Shop (Craftsman) to explain the notion of the “concealment” of technology, the fact…

February 14, 2013

Devices and Machinery

In his Technology and the Character of Contemporary Life: A Philosophical Inquiry , Albert Borgmann makes a crucial distinction between a technical device and its machinery. This is “a specific instance of the means-ends distinction” (43), the machinery being the means by which the device becomes useful to its user.…

February 14, 2013
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Literary Names

Claude Rawson’s review of Alastair Fowler’s Literary Names: Personal Names in English Literature focuses on names used to mock and deride. Swift, for instance, “attached enormous importance to naming and not being named (a characteristic Fowler incidentally identifies with Milton’s fallen angels). Swift scrupulously marked with an ‘X; every reference…

February 14, 2013

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