Explore our collection of theological essays, biblical studies, and reflections on faith and culture.
Where do we go from here? Depending on one’s perspective, the American story can plausibly be interpreted in different ways. Looked at from past to present , we can see a great deal of continuity from medieval Christendom and the Reformation to America’s founding. The War for Independence, after all,…
Click HERE for Part 1 Civic Religion: American or Christian? We have already traced out the basic contours of the shift in America from an ecclesiocentric, theocratic social order to a secular one. Building on Locke and Hobbes, the Enlightenment accomplished an astonishing coup of Christendom. That victory for the…
Author’s Introductory Note: Engaging in broad historical interpretation as I am about to do is always risky. Necessarily, one “stylizes” history by simplifying, over generalizing, and stereotyping. But the narrative qualities of history are not simply due to the imposition of human rationality upon brute facts; rather history is always…
A. Repentance to life involves endeavoring to believe real hard that you’re saved. reject infant baptism. stop watching Buffy the Vampire Slayer. walk with God in all the ways of his commandments. B. What is necessary so that no sinner may expect to be forgiven unless he does it? Only…
The machine works mechanically and it is flawless. Slander/libel a group of Presbyterian ministers as “Romanist” because robes and James 2 are no worse than praying to Mary or relying on purgatory to pay for unconfessed sins. Drive off anyone who disagrees. Of that number, there may be a tiny…
If we take as a starting point the Tribal / Monarchical / Empire model, we can then add to it the Late Empire Phase. The particular ‘marker sin’ of Empire is false intermarriage, which signifies pluralism and syncretism. Empires by definition are “cosmopolitan” dominated by cities, high culture, many cultures,…
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There’s an interview regarding by recent book on empire at http://thegospelcoalition.org/blogs/trevinwax/ this morning.
Shylock has been played for sympathy frequently in the past century. But the sense that his character fits badly in a comedy is an old one. Already in 1709, Nicholas Rowe wrote, “Tho’ we have seen that Play Receiv’d and Acted as a Comedy, and the Part of the Jew…
In an old article in the Shakespeare Quarterly , Barbara Lewalski suggests that Merchant of Venice is a moralistic allegory depicting the character of Christian love. In the play, Christian love involves “giving and forgiving: it demands an attitude of carelessness regarding the things of this world founded upon a…
Mahood again ( The Merchant of Venice (The New Cambridge Shakespeare) ), describing Shakespeare’s and Shylock’s use of the gospels in the play (p. 198-9). “On Shylock’s first meeting with Bassanio, his detestation of the Christians breaks out in the dactylic rhythm and harsh consonants of ’ to eat of…
In an appendix to his edition of The Merchant of Venice (The New Cambridge Shakespeare) (pp. 197-8) , M. M. Mahood explores Shakespeare’s use of the Bible in the play. He notes the extensive echoes of the Jacob narrative, some explicit some not so much. “Shakespeare is unlikely ever to…
Should we love God disinterestedly, without expectation or desire for return from Him, without any desire for happiness? It’s a common idea, but Milbank rightly argues against it. He asks “what constitutes God’s loveability”? His answer” “every charm, every attractive feature of anything whatsoever, radiates outwards, rendering things apprehensible and…
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