Explore our collection of theological essays, biblical studies, and reflections on faith and culture.
To begin with the source of this narrative: Since no human being was present to observe these events, we must assume that this narrative was revealed directly by God to a human author. There are three ways this might have happened. First, we might read, "God said to Abraham (or…
The Empire Strikes Back is a movie most of us have seen more than once. It is generally regarded as the best of the three Star Wars films, which is probably due to the fact that unlike the other two, The Empire Strikes Back made use of the services of…
Now that we have examined three unacceptable approaches to the events recorded in Genesis 1, it is only fair for me to set out what does seem to be recorded there. To begin with the source of this narrative: Since no human being was present to observe these events, we…
Two books on the "Bible Code" have appeared this year. The first, a current bestseller, is Michael Drosnin’s The Bible Code (Drosnin, 1997). The other is Cracking the Bible Code (William Morrow, 1997), by Jeffrey Satinover, known to Christians for his outstanding 1996 book Homosexuality and the Politics of Truth…
Part 1: Introduction The collapse of the Western tradition in the United States, seen in the hostility to Christianity in government and education, and the elimination of "traditional" or "canon" learning from our institutions of middle and higher learning, provides a crisis and an opportunity for serious believers at the…
A Brief Defense of John Murray’s “the Free Offer of the Gospel,” & A Question About the Extent of the Atonement John Murray (1898-1975) is probably the last of the great American theologians; he belonged in the same set as that which contains such eminent Presbyterians as Charles Hodge and…
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Carey Ellen Walsh ( Exquisite Desire ) points to the difference between classical responses to desire and the account of desire in the Song of Songs.  Using Odysseus and the Sirens as an illustration, she notes how this scene reveals the Greek instinct that desire “harbors danger by rendering its…
Love is as strong as death.  But no stronger.  It’s a standoff. No, Jenson says: “death does not allow of stalemates.  If love binds lovers even in death’s despite, death is overcome by love.  Nor does the grave allow of partial retrievals; if it yields its prey, then its jealousy…
Barthian that he is, Jenson gets the point of the Song’s “seal on my heart” just right: Jesus’ “death has made us the seal of his identity: he dies ‘for’ us, in identification with us.  Now he is not what he is without us; he did not go into death…
Robert Jenson ( Song Of Songs (Interpretation, a Bible Commentary for Teaching and Preaching) ) notes that Song of Songs 8:6-7 contains “pervading reference to the myths of Israel’s religious milieu: ” Mot can indeed be translated simply ‘death,’ but it is also a proper name, for the Canaanite god…
Jealousy refers to a relentless and exclusive passion and attachment.  For Solomon, it is as hard as the grave.  Once someone goes into the grave, the grave doesn’t let him back up; once it takes hold, it doesn’t let go.  Jealousy is like that.  It is “that aspect of love…
Given the “canon” that Scripture speaks “doubly” of Christ (sometimes divinely, sometimes humanly), it would seem easy for Athanasius to shuffle passages about the Father giving and the Son receiving to the “humanity” side of things.  He doesn’t, and He’s right.  The Son has all that the Father has, and…
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