Explore our collection of theological essays, biblical studies, and reflections on faith and culture.
Summary In what follows, I will consider the “year-stamps” employed in Scripture, i.e., statements of the form, “Such-and-such an event took place in the Xth year of Y.” In the process, I will suggest some ways in which the Biblical narrative might relate to events in the extra-Biblical world, though…
In the first essay on the parable of the Prodigal Son, I suggested that the problems commentators and others encounter in interpreting Jesus three-part parable are not accidental. These are not just problems in our ignorance of cultural background. They are intentional features of the stories —stories designed to poke…
The story of the Prodigal Son is perhaps the most well-known story in the Bible. As others have observed, it may also be one of the most misunderstood. In two short essays, I will point out features of this story that are commonly neglected, aspects of Jesus’ parable that might…
The parable of Lazarus and the nameless rich man is not an independent story. It is part of a long context that begins in Luke 15:1, where Jesus is eating with tax collectors and sinners and the scribes and Pharisees grumble. In response to their hardheartedness, Jesus tells a three-part…
The Bible is written so that even when a reader cannot pick up on what might be deeper or more detailed aspects of a text, there is virtually always a message to be heard. In the ancient world, where the “reader” of Scripture would likely be a church official facing…
The distinction between garden (or vineyard) and field begins in Genesis 2. This relates to the ordering of the formless world. Plants of the field are contrasted with the garden planted by God in Genesis 2:5&8. Later on, under the Old Covenant the Israelites will be required to keep their…
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Yahweh speaks with the voice of many waters, and so does Jesus.  That means loud, but it also means that the voice is the source of life (cf. Numbers 20:11; 24:7; Ezekiel 17:5), like the abundant waters in the wilderness. Many waters cannot quench the flame of Love.  That is,…
“Set me as a seal upon your heart,” says the Bride to the Bridegroom. Now the priest wore stones with the names of the tribes “engraven like a seal” on his breastplate (Exodus 28:11, 21) and the name of Yahweh, also “engraven like a seal” on the golden plate on…
Erik Peterson ( Das Buch von den Engeln ) points out that the new song of Revelation 5 is sung by people from every tongue and nation and people.  Thus, “the hymn of the church is the transcending of all national hymns, as the speech of the church is the…
Hegel’s “sublation” seems to be a conceptual vestige of perichoresis. Sublation requires the Trinity: If all is one, nothing other can be absorbed within being destroyed.  If we have sheer differentiation, all is utterly other. Hegel is right: Sublation happens.  Aquinas does absorb Aristotle, so that Aristotle is still recognizably…
INTRODUCTION The Song of Songs is a love poem, but both Jewish and Christian readers have discerned that it’s something more than that.  Ultimately, the Song is nothing less than the gospel. THE TEXT “Put me like a seal over your heart, like a seal on your arm for love is…
All history, Hegel says, is the death and resurrection of Jesus, the God’s embrace of negativity and death and their sublation in the resurrection.  This movement of incarnation, death, and death-nestled-in-resurrection is, moreover, the pattern of thought.  As Hegel says, “‘God himself is dead,’ it says in a Lutheran hymn,…
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