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Writing

Explore our collection of theological essays, biblical studies, and reflections on faith and culture.

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Matthew

What Tune is Playing? (Matthew 11:1-19)

Matthew’s gospel is a replay of Israel’s history, and this replay occurs at two different levels. On the one hand, Jesus relives Israel’s history and does it faithfully. He is the Son, the true Israel, called out of Egypt, baptized in the sea, tempted in the wilderness. He is the…

by Peter LeithartJanuary 14, 2014
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Theopolis News

Constantine, Christendom, Christian Renewal

Trinity House President Peter Leithart will deliver two lectures at the Eighth Day Institute annual conference in Wichita, Kansas, January 16-18. The conference theme is "Constantine, Christendom, and Christian Renewal," and Dr. Leithart will be lecturing on Constantine. Dr. Leithart will preach on Sunday, January 19, at Trinity Covenant Church…

by Peter LeithartJanuary 13, 2014
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Matthew

Treasures in Matthew's Genealogy, 2

In the previous article, we considered the life of Abraham up to the birth of Isaac and the way in which his life up to that point foreshadows later redemptive history. Our reason for this consideration was at the Gospel of Matthew's behest. He pointed us in that direction. He…

by Kelly KerrJanuary 9, 2014
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Theology

The Trinity and the Nations, 3

The Spirit of Speech The last period in Israel’s history arrives almost from nowhere. The prophets appear unannounced, give short, but earth-shattering messages and then are whisked away by the Spirit (1 Kings 18:12). They do not hold high positions in Israel, but their words give them great political sway.…

by Brian MarrJanuary 7, 2014
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Theopolis News

Nevin Lectures

Trinity House Institute is delighted to announce our first annual series of Nevin Lectures. Timothy George, Dean and Professor of Church History at Beeson Divinity School, will deliver four lectures on “Sacramental Theology from a Baptist Perspective” on February 7-8, 2014 at Trinity Presbyterian Church in Birmingham, Alabama. More information...…

by TheopolisJanuary 2, 2014
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Revelation

Him Whom They Pierced

Revelation 1: 7 states the theme of Revelation. It is a self-standing verse, beginning and ending with “Amen” (the “Amen” at the end of verse 6 should be taken as the beginning of the statement in verse 7). A double Amen as a double witness, and it becomes a threefold…

by Peter LeithartJanuary 1, 2014

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History

Male Muse

In a NYT review of Arthur Phillips’s latest, Kate Christensen comments, “The male muse is an unaccountably rare thing in art, with the exception of the men who inspired the likes of Auden and O’Hara — that is, men who were as sexualized and fetishized as their female counter parts,…

April 10, 2009
History

We Were Never Modern

Carl Becker ( The Heavenly City of the Eighteenth-Century Philosophers ) writes that though the Philosophes were devoted to reason, “a skeptical lot, atheists in effect if not by profession, addicted to science and the scientific method, always ready to crush the infamous, valiant defenders of liberty, equality, fraternity, freedom…

April 10, 2009
History

House of gods

In an article on Constantine’s church-building, Gregory Alexander repeats a commonplace about the difference between pagan and Christian places of worship: “The temple is a house for the god; the church is a gathering place for communal worship.” Yes, but: Jesus says He’ll be there in our gathering, so the…

April 9, 2009
History

Freeman on Persecution

Freeman’s colossal misconceptions come out on every page. Under that patient persecution by the Romans, some Christians saw the light and offered sacrifice, but others “resisted to the point of martyrdom.” Not that it mattered much; they were eager to die, since they preferred “their reward in heaven . .…

April 8, 2009
History

Freeman’s distortions

Two instances of Freeman’s distortions (these from The Closing of the Western Mind ). First, he has a couple of pictures of the Riace warrior statue from Delphi, which “represents man at his most heroic, almost a god in his own right.” On the facing page he says “By the…

April 8, 2009
History

Christ and Caesar

Charles Freeman notes that the sarcophagus of the Roman aristocrat Junius Bassus depicts Jesus “entering Jerusalem as if he was an emperor entering a city, and above this image he is shown sitting in glory on an imperial throne set above a representation of heaven.” He cites Sabine MacCormack’s comment…

April 8, 2009

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