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Writing

Explore our collection of theological essays, biblical studies, and reflections on faith and culture.

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Federal Vision

The Righteous Judge

God is a righteous judge, And a God who has indignation every day. If a man does not repent, He will sharpen His sword; He has bent His bow and made it ready (Psalm 7.11, 12). David’s inspired lyrics do not sound very encouraging to modern ears–especially to modern Christian…

by Mark HorneJune 7, 2003
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Luke

The Justification of the Good Samaritan

The story of the Good Samaritan (Lk. 10:25-37) is one of the best known and most loved of Jesus’ parables. I am not going to attempt to exegete the passage, as that has been done admirably and ably by others. Rather, I want to briefly examine what bearing the passage…

by Rich LuskJune 7, 2003
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1 Corinthians

The Grace of Judgment According to Works

In Romans 2.6-16, Paul writes, He will render to each one according to his works: to those who by patience in well-doing seek for glory and honor and immortality, he will give eternal life; but for those who are self-seeking and do not obey the truth, but obey unrighteousness, there…

by Mark HorneJune 7, 2003
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Matthew

The Extra Mile: Matthew 5:38-42

It was still dark as David approached the crest of the little ridge. The eastern horizon was not even gray. It was early. But he knew this trail well. Every morning before dawn and every evening before dark, he would walk down to the well and carry water back to…

by Jeff MeyersJune 7, 2003
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Romans

Romans and God's Covenant Loyalty

The theme of Romans is the righteousness of God (Rom. 1:16-17). That is to say, Romans is something of a theodicy. Paul is defending God’s covenant faithfulness, particularly in light of Jewish unfaithfulness. How does it work? Without getting into exegetical details, we can still sketch out the big picture.…

by Rich LuskJune 6, 2003
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Federal Vision

Putting the New Perspective into Perspective: Some Thoughts on Second Temple Judaism

The New Perspective on Paul (NPP) is a loosely defined movement held together primarily by a common understanding of Second Temple Judaism. All NPP theologians basically adhere, with varying degrees of intensity and consistency, to Ed Sanders’ claims with regard to the nature of pre-70 A.D. Judaism. Sanders has sought…

by Rich LuskJune 6, 2003

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History

Male Muse

In a NYT review of Arthur Phillips’s latest, Kate Christensen comments, “The male muse is an unaccountably rare thing in art, with the exception of the men who inspired the likes of Auden and O’Hara — that is, men who were as sexualized and fetishized as their female counter parts,…

April 10, 2009
History

We Were Never Modern

Carl Becker ( The Heavenly City of the Eighteenth-Century Philosophers ) writes that though the Philosophes were devoted to reason, “a skeptical lot, atheists in effect if not by profession, addicted to science and the scientific method, always ready to crush the infamous, valiant defenders of liberty, equality, fraternity, freedom…

April 10, 2009
History

House of gods

In an article on Constantine’s church-building, Gregory Alexander repeats a commonplace about the difference between pagan and Christian places of worship: “The temple is a house for the god; the church is a gathering place for communal worship.” Yes, but: Jesus says He’ll be there in our gathering, so the…

April 9, 2009
History

Freeman on Persecution

Freeman’s colossal misconceptions come out on every page. Under that patient persecution by the Romans, some Christians saw the light and offered sacrifice, but others “resisted to the point of martyrdom.” Not that it mattered much; they were eager to die, since they preferred “their reward in heaven . .…

April 8, 2009
History

Freeman’s distortions

Two instances of Freeman’s distortions (these from The Closing of the Western Mind ). First, he has a couple of pictures of the Riace warrior statue from Delphi, which “represents man at his most heroic, almost a god in his own right.” On the facing page he says “By the…

April 8, 2009
History

Christ and Caesar

Charles Freeman notes that the sarcophagus of the Roman aristocrat Junius Bassus depicts Jesus “entering Jerusalem as if he was an emperor entering a city, and above this image he is shown sitting in glory on an imperial throne set above a representation of heaven.” He cites Sabine MacCormack’s comment…

April 8, 2009

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