Explore our collection of theological essays, biblical studies, and reflections on faith and culture.
The resurrection stories in Matthew, Mark, Luke, and John are among the strangest stories in all of the literature of the world, even among the strangest stories in the Bible. That is true of each Gospel’s accounts individually, but even more of the collection as a whole. On the one…
As a pastor, I’m interested in discipleship. Christians are called to be disciples of our Lord Jesus Christ. Discipleship has everything to do with the disciplines we walk by in our lives. Things like Bible reading, prayer, and fasting are hallmarks of standard Christian discipleship. The basic thrust is that…
Psalm 1 is justly famous among biblical texts. It opens the Psalter, it’s a paean to the life-giving power of the Law, and it beautifully describes righteous life as a stable, fruitful tree. It subtly weaves the contrasting threads of wickedness and righteousness into a succinct summary of biblical wisdom:…
No book is more quoted in Hebrews than the Psalter: there are quotations and allusions to psalms on virtually every page. And many of the quotations are not passing references but closely considered and repeatedly cited as the author of Hebrews develops his central arguments. Much of Hebrews is exposition…
Howard Bloom is a beautiful hypocrite. The author of books in as different subjects as Mohammed, scientific theory, and the cultural upheaval of the 1960s, he professes to be a “stone cold atheist.” Yet in spite of that profession, Bloom obviously writes as a Jew; that is, he writes with…
There may be some debate about who deserves the title “the King of American literature,” but, at least to my mind, there should be no debate over who deserves to be “the Queen” – let’s give the crown to Flannery O’Connor. She is, however, a very unlikely queen. Unlikely, not…
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Plays might be promoted as a kind of opiate of the masses: Mass entertainment that keeps them from more violent entertainments like rioting and pillaging. This could be problematic, if the entertainments were too heady for most people to follow. Thomas Heywood (1612) suggested that playwrights should “ayme . .…
How regulated was Shakespeare’s own theater? And for what reasons? Patterson highlights various reasons for closing or permitting theaters: audience composition, including the fear that a large collection of workers might be distruptive; public health; economic concerns; religious and moral concerns, especially Sabbatarian; and “a shifting and elusive imperative to…
Shakespeare’s fortunes in the US were, understandably, different from in England. Initially, Shakespeare was America’s most popular playwright, appealing to a wide sector of the American populace. Patterson notes that “by the end of the nineteenth century ‘Shakespeare’ had become a cultural icon, the property only of the ‘legitimate theater,’…
Annabel Patterson notes ( Shakespeare and the Popular Voice ) that contemporary critics, whatever their own political outlook, assume that Shakespeare was an advocate of Elizabethan hierarchy. This view, however, is a product of the 19th century. Dryden, Johnson, and others criticize Shakespeare for violating the conventions of his genre,…
By the 18th century, acting styles also invested Shakespeare with “courtly” virtues of control, dignity, stateliness. Dobson writes, “Shakespearian acting . . . in the decades following Betterton’s death in 1710, seems to have settled into a grandiloquent vein of static declamation, best exemplified by the stout James Quin (1693-1766)…
Dobson again: “after Charles II’s death in 1685 England would never again have another monarch with such an informed interest in the drama (or, mercifully, such a lascivious one), and deprived of royal patronage and protection the playhouses came under renewed attack from the moralists (led by the redoubtable clergyman…
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