Explore our collection of theological essays, biblical studies, and reflections on faith and culture.
First, I love my Christmas songs. This is how I think of it: the season of Advent gets in the way of singing what I want to sing. How can you not listen to Nat King Cole in December? Or Bing Crosby, Harry Connick Jr., and Amy Grant? Even though…
Introduction Imagine the stereotypical American grandparents. Once you have the outline, start filling in the details. What picture emerges? Maybe something like what Ogden Nash said, “When grandparents enter the door, discipline flies out the window.” Or maybe the oft-repeated assertion that it’s the grandparent’s job description “to spoil the…
Hundreds of generations of ancient Israelites grew up as children of Abraham, inheritors of the covenant—the promises of God. These promises were more than nice bumper stickers or framed photos to cover empty space in their homes–these promises were at the heart of their very identity–individually and collectively. Genesis “I…
Aliens and Sojourners When the question “Is there life on other planets?” is asked, even the best theologians can only reply, “The Bible doesn’t tell us.” Well, in truth, the Bible does tell us, but only if we are paying attention. …and there was not a man to till the…
John runs a theme throughout his gospel that bubbles under the surface—Jesus is searching for, and finding, a wife. John launches into the narrative proper with a statement of where he’s going. “On the third day there was a wedding” (John 2.1) is about as good an example of flash…
I have come to believe that a great many people are almost too weak to repent in any very open way. There must first be some level of healing. In some cases, including biblical ones, there is not even any evidence of faith on the part of the recipients of…
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Plays might be promoted as a kind of opiate of the masses: Mass entertainment that keeps them from more violent entertainments like rioting and pillaging. This could be problematic, if the entertainments were too heady for most people to follow. Thomas Heywood (1612) suggested that playwrights should “ayme . .…
How regulated was Shakespeare’s own theater? And for what reasons? Patterson highlights various reasons for closing or permitting theaters: audience composition, including the fear that a large collection of workers might be distruptive; public health; economic concerns; religious and moral concerns, especially Sabbatarian; and “a shifting and elusive imperative to…
Shakespeare’s fortunes in the US were, understandably, different from in England. Initially, Shakespeare was America’s most popular playwright, appealing to a wide sector of the American populace. Patterson notes that “by the end of the nineteenth century ‘Shakespeare’ had become a cultural icon, the property only of the ‘legitimate theater,’…
Annabel Patterson notes ( Shakespeare and the Popular Voice ) that contemporary critics, whatever their own political outlook, assume that Shakespeare was an advocate of Elizabethan hierarchy. This view, however, is a product of the 19th century. Dryden, Johnson, and others criticize Shakespeare for violating the conventions of his genre,…
By the 18th century, acting styles also invested Shakespeare with “courtly” virtues of control, dignity, stateliness. Dobson writes, “Shakespearian acting . . . in the decades following Betterton’s death in 1710, seems to have settled into a grandiloquent vein of static declamation, best exemplified by the stout James Quin (1693-1766)…
Dobson again: “after Charles II’s death in 1685 England would never again have another monarch with such an informed interest in the drama (or, mercifully, such a lascivious one), and deprived of royal patronage and protection the playhouses came under renewed attack from the moralists (led by the redoubtable clergyman…
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