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Writing

Explore our collection of theological essays, biblical studies, and reflections on faith and culture.

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Liturgy

The Temple Singers

Who were the company of singers who sang in the Temple built by Solomon? I think many people might answer “the Levitical singers.” That is not correct, because the Levites were not allowed inside the Temple; only the priests were. The Levitical choir and orchestra performed for Yahweh outside the…

by James B. JordanJuly 2, 2015
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Homosexuality

After Obergefell - A Pastoral Letter

Dear Congregation, Social media is awash with rants for and against the ruling from the Supreme Court (SCOTUS) yesterday regarding homosexual marriage ( Obergefell v. Hodges ). My contribution on Facebook was simply to quote relevant sections of the dissents written by the four judges in the minority. Even though…

by Jeff MeyersJuly 1, 2015
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Biblical Law

Law and Imagination

After the Civil War, the hobbled nation and fractured races looked about for leadership; animosity was high and envy was crouching at the door. Booker Taliaferro Washington, up from slavery, surveyed the rising tension and injustice, foreseeing civil unrest and chafing inequalities, eschewed, remarkably, a legislative remedy and advised a…

by Remy WilkinsJune 30, 2015
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Homosexuality

They Played the Flute for Me - But I Couldn't Dance

The ruling on Obergefell v. Hodges “came down” on Friday morning, June 26, 2015, like a bolt from Zeus. Many who refuse to bow to the dictates of our Olympians will write trenchant legal, theological, and cultural/political analyses of the court’s ruling. What I’m comfortable contributing to the historical record,…

by Jonathan BarlowJune 29, 2015
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American Culture

After Obergefell

Orthodox Christianity has lost all cultural potency in the U.S. No one defending traditional marriage before the court dared raise the fundamental question: Who creates marriage, God or the state? Theology has no public standing, no persuasive force in the culture at large. Obergefell is another nail in the coffin…

by Peter LeithartJune 27, 2015
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Poetry

Dust of Snow

One will rarely come upon a classical allusion in a Robert Frost poem. His poetic scheme was to follow the speaking patterns of common folk, to use their words and images to achieve his point. Despite this simplicity, there is a depth and richness to his poetry that can be…

by Remy WilkinsJune 25, 2015

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Literature

Courtly Shakespeare, II

To one of his servant, Shakespeare’s Macbeth says, “The devil damn thee black, thou cream-faced loon!” Davenant’s says, “Now, Friend, what means thy change of Countenance?” And for the wonderful surging lines in Macbeth 2.2.58-61 (including “the multitudinous seas incarnadine”), Davenant substituted the much weaker “can the Sea afford/ Water…

September 28, 2006
Literature

Courtly Shakespeare

Michael Dobson notes ( Shakespeare: An Illustrated Stage History ) that the restoration of drama in 1660 was not really a restoration but a re-creation, involving “a transformation of the London theatre, carried out by royal warrant” tht “forever altered the relationship between drama and the state, the design and…

September 28, 2006
Economics

Elegant dress

In his Theory of the Leisure Class , Thorstein Veblen notes that it is good if it shows that “the wearer can afford to consumer freely and uneconomically,” but beyond that should “make plain to all observers that the wearer is not engaged in any kind of productive labor.” Elegant…

September 27, 2006
Literature

Bowdlerized Shakespeare

In the Edinburgh Review notice regarding the publication of Bowdler’s Family Shakespeare (1821-22), Francis Jeffrey, Lord Rector of the University of Glasgow, praised the edition for meeting the needs of decent people everywhere: “Now it is quite undeniable, that there have been many passages in Shakespeare, which a father could…

September 27, 2006
History

The Good Old Days…

when the theater was taken seriously. Douglas Lanier writes, “On may 7 [1849] Edwin Forrest and William Macready, long-time Shakespearian rivals, mounted competing productions of Macbeth in New York City, Forrest at the Broadway Theater, Macready at the Astor Place Opera House. Forrest, an American actor of populist style and…

September 27, 2006
History

The Good Old Days…

when the theater was taken seriously. Douglas Lanier writes, “On may 7 [1849] Edwin Forrest and William Macready, long-time Shakespearian rivals, mounted competing productions of Macbeth in New York City, Forrest at the Broadway Theater, Macready at the Astor Place Opera House. Forrest, an American actor of populist style and…

September 27, 2006

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