Explore our collection of theological essays, biblical studies, and reflections on faith and culture.
Genesis 3 ends on a decisive, and decisively negative, note. Yahweh “drove the man out” of the garden, and, in addition, “at the east of the garden of Eden He stationed the cherubim, and the flaming sword which turned every direction, to guard the way to the tree of life.”…
When she died in 2005 at the age of 72, Anna Haycraft, the author who published under the name Alice Thomas Ellis, was a celebrated writer in Great Britain. While working at Duckworth Publishers(which her husband owned), she produced a dozen novels, a collection of short stories, a cookbook, volumes…
Some have suggested recently that my "project" is postmodern. To clarify my views on postmodernism, I'm re-posting something I wrote in 2005, with a few modifications. For a fuller discussion, you can check out my Solomon among the Postmoderns (Canon, 2008). First, it is helpful to distinguish, as many writers…
Calling Jerusalem the "holy city" comes so naturally to Christians that it comes as something of a surprise to realize how infrequently the phrase is used in Scripture. Not only is Jerusalem rarely called holy, but in the Old Testament this classification is found only in texts that refer to…
Asking why the church doesn’t sing hymns or even why men don’t sing in church is a bit like lamenting over the lame man who can’t waltz on the dance floor. While it is a valid question, the more immediate question would seem to be, “why doesn’t the lame man…
The theme of 1 Timothy is the distinction between the true children in the Household of God and false children who really belong to the household of Satan. This is seen in the fact that in the chiastic structure of the Epistle, heresy is the subject in the center (…
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To one of his servant, Shakespeare’s Macbeth says, “The devil damn thee black, thou cream-faced loon!” Davenant’s says, “Now, Friend, what means thy change of Countenance?” And for the wonderful surging lines in Macbeth 2.2.58-61 (including “the multitudinous seas incarnadine”), Davenant substituted the much weaker “can the Sea afford/ Water…
Michael Dobson notes ( Shakespeare: An Illustrated Stage History ) that the restoration of drama in 1660 was not really a restoration but a re-creation, involving “a transformation of the London theatre, carried out by royal warrant” tht “forever altered the relationship between drama and the state, the design and…
In his Theory of the Leisure Class , Thorstein Veblen notes that it is good if it shows that “the wearer can afford to consumer freely and uneconomically,” but beyond that should “make plain to all observers that the wearer is not engaged in any kind of productive labor.” Elegant…
In the Edinburgh Review notice regarding the publication of Bowdler’s Family Shakespeare (1821-22), Francis Jeffrey, Lord Rector of the University of Glasgow, praised the edition for meeting the needs of decent people everywhere: “Now it is quite undeniable, that there have been many passages in Shakespeare, which a father could…
when the theater was taken seriously. Douglas Lanier writes, “On may 7 [1849] Edwin Forrest and William Macready, long-time Shakespearian rivals, mounted competing productions of Macbeth in New York City, Forrest at the Broadway Theater, Macready at the Astor Place Opera House. Forrest, an American actor of populist style and…
when the theater was taken seriously. Douglas Lanier writes, “On may 7 [1849] Edwin Forrest and William Macready, long-time Shakespearian rivals, mounted competing productions of Macbeth in New York City, Forrest at the Broadway Theater, Macready at the Astor Place Opera House. Forrest, an American actor of populist style and…
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