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Matthew

What Tune is Playing? (Matthew 11:1-19)

Matthew’s gospel is a replay of Israel’s history, and this replay occurs at two different levels. On the one hand, Jesus relives Israel’s history and does it faithfully. He is the Son, the true Israel, called out of Egypt, baptized in the sea, tempted in the wilderness. He is the…

by Peter LeithartJanuary 14, 2014
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Theopolis News

Constantine, Christendom, Christian Renewal

Trinity House President Peter Leithart will deliver two lectures at the Eighth Day Institute annual conference in Wichita, Kansas, January 16-18. The conference theme is "Constantine, Christendom, and Christian Renewal," and Dr. Leithart will be lecturing on Constantine. Dr. Leithart will preach on Sunday, January 19, at Trinity Covenant Church…

by Peter LeithartJanuary 13, 2014
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Matthew

Treasures in Matthew's Genealogy, 2

In the previous article, we considered the life of Abraham up to the birth of Isaac and the way in which his life up to that point foreshadows later redemptive history. Our reason for this consideration was at the Gospel of Matthew's behest. He pointed us in that direction. He…

by Kelly KerrJanuary 9, 2014
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Theology

The Trinity and the Nations, 3

The Spirit of Speech The last period in Israel’s history arrives almost from nowhere. The prophets appear unannounced, give short, but earth-shattering messages and then are whisked away by the Spirit (1 Kings 18:12). They do not hold high positions in Israel, but their words give them great political sway.…

by Brian MarrJanuary 7, 2014
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Theopolis News

Nevin Lectures

Trinity House Institute is delighted to announce our first annual series of Nevin Lectures. Timothy George, Dean and Professor of Church History at Beeson Divinity School, will deliver four lectures on “Sacramental Theology from a Baptist Perspective” on February 7-8, 2014 at Trinity Presbyterian Church in Birmingham, Alabama. More information...…

by TheopolisJanuary 2, 2014
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Revelation

Him Whom They Pierced

Revelation 1: 7 states the theme of Revelation. It is a self-standing verse, beginning and ending with “Amen” (the “Amen” at the end of verse 6 should be taken as the beginning of the statement in verse 7). A double Amen as a double witness, and it becomes a threefold…

by Peter LeithartJanuary 1, 2014

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Descending

Revelation uses the verb “descend” ( katabaino ) ten times, often with the specification that something descends “from heaven.” Cities come down from the sky, and angels, and dragons, and fire. The ten uses of the verb are in a fairly neat chiastic pattern: A. New Jerusalem will descend, 3:12…

February 2, 2016

Poetry, Liturgy, Spontaneity

More grist for the discussion of Protestantism and writing, taken from my review of Lori Branch, Rituals of Spontaneity . See the whole review here . Focusing on English literary culture and religion, Branch examines the formation of an “ideology of spontaneity” from the Reformation attacks on ritual through Puritan…

February 2, 2016
Economics

Economic Liturgies

“We must continue to develop nonmythological narratives that synthesize and interpret our experience. These narratives must be based on the facts as we currently know them,” argues Scott Gustafson in At the Altar of Wall Street . He thinks Marx and Schumpeter offer some coordinates for a “demythologizing” of economics…

February 2, 2016

Trump of the Lie

What does Trump do if he loses the Iowa caucuses today? asks Michael Kruse over at Politico . Kruse says that he will do what he always does: “He will deny and distort and belittle his critics and change the subject. He will say that he won.” Paul Holmes, who…

February 1, 2016

Of White Horses and their Riders

Twice in Revelation, John sees a rider on a white horse. The first comes in response to a call from the lion cherub and the Lamb's opening of the first seal (Revelation 6:1-2). He is alone, has a bow and receives a crown as he goes out conquering and to…

February 1, 2016

Protestants, Writing, Sacraments

My two-part essay on why Protestants can't write got a lot more attention last week than it did when first published in Credenda/Agenda . Clarifications are in order. Behind the bluster, bombast, and hyperbole of the essay lie an assumption, an assertion, and an argument. The assumption is that liturgy…

February 1, 2016

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