Explore our collection of theological essays, biblical studies, and reflections on faith and culture.
What About Catholics? (continued) Usually, such people are not seeking graven images, but rather their idolatry is of a broader character. They are seeking a home on earth. Scott Hahn’s book is called Rome Sweet Home . This is the essential sin, for there is no home on earth. The…
Reading the earliest Christian apologists is like watching a movie in which the hero has the means to demolish his opponents in his grasp but never realizes it. The apologists come across as men not altogether aware of the radical character of the gospel they defend. In response to charges…
Then [Elisha] went up from there to Bethel; and as he was going up by the way, ne`arim came out from the city and mocked him and said to him, "Go up, you baldhead; go up, you baldhead!" When he looked behind him and saw them, he cursed them in…
Further Numerical Items of Interest Umberto Cassuto points out some other numerical factors in Genesis 5. 1 For one thing, he observes that every number in Genesis 5 is a multiple of 5, sometimes with the addition of 7. We have, in essence, made this point already. He also points…
Prostration God has designed the human body in a marvelous way, and Biblical religion is very physical. We believe in the resurrection of the body, against all pagan ideas of the immortality of the soul. We bury our bodies, not burning them. Human beings in their totality, including our bodies,…
Since Revelation is laid out in serieses of sevens, it is worth investigating to see if there is a series of seven after the seven libation-bowls of chapter 16. I believe there is, and it is the burden of this essay to expose it. The series of sevens, or heptamerous…
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James Jordan has suggested that the vision of new Jerusalem (Revelation 21:9-22:5) is arranged as a chiastic recasting of the creation week: A. Day 1: Light in the city, 21:10-11 B. Day 2: Boundaries and measurements of the city, 21:12-17 C. Day 3: Materials of the city, 21:18-21 D. Day…
The verb “show” ( deiknuo ) occurs eight times in Revelation, and the eight uses fall into a neat pattern. Twice at the beginning (1:1; 4:1) and twice at the end (22:6, 8), the verb is used with a generic object. God shows “things which must shortly take place” (1:1;…
In an essay on “barriers and bridges” in American religion, Stephen Warner emphasizes the role of music in building bridges, forging solidarity without requiring assent to a common set of propositions. He offers a florilegium of quotations from various scholars: “At an emotional level, there is something ‘deeper' about hearing…
William H. McNeill's Keeping Together in Time explores the role of “emotional bonding through rhythmic muscular movement” in history (52). The significance of the phenomenon occurred to him during military training in 1941: “A sense of pervasive movement in unison is what I recall; more specifically, strange sense of personal…
The final chapter of the Bible (Revelation 22:6-21) is a rapid series of speeches and dialogues, structured in fourfold parallelism. Each new section introduces a new speaker or speech with some form of “he said.” The speakers move from an angel to Jesus to the Spirit and bride. The chapter…
In a 2007 Bibliotheca Sacra article, Mark Hitchcock examines various theories about the identity of the seven heads of the beast in Revelation 17:9-11. It's been proposed that the number seven is purely symbolic of fulness, and that the heads are not to be identified with any historical characters. Hitchcock's…
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