Explore our collection of theological essays, biblical studies, and reflections on faith and culture.
“What’s the fastest route” he asks me as we quickly come to a stop behind a sea of red brake lights. I pull out my phone and map all the options. Every way is red with traffic backed up. Deep down I must be a small town girl because traffic…
Dear Friend of Theopolis, I have signed a stack of documents in the years since we started Theopolis, but my heart jumped a few beats as I looked at the thick lease contract. “This is real,” I thought. “This makes it really real.” Theopolis has been real for nearly three…
In the Edenic world of Perelandra, from C.S. Lewis’s Space Trilogy, Ransom notices something about how the Green Lady treats the animals: [1] “There was in her face an authority, in her caresses a condescension, [2] which by taking seriously the inferiority of her adorers made them somehow less inferior…
In my previous two articles, I argued for the significance of the fact that baptism addresses our bodies in their objectivity. In the body, the self has an existence that runs deeper than our consciousness, decision, self-expression, and action. In washing our passive bodies, baptism seals us with an anticipatory…
Judah is a sinful nation, weighed down with iniquity. They are not the seed of Abraham, but the seed of iniquity. Their worship is abominable to Yahweh, because their hands are covered with innocent blood. They have not done good, or sought justice, or reproved the ruthless, or defended the…
Although we tend to define ourselves by our subjectivity —our perceptions, thoughts, feelings, decisions, actions—we are frequently forgetful of the objectivity of the self as body, the reality of the self that underlies and precedes all of our subjectivity. The body is the site of our ‘givenness’, where we are…
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In Rune 40 of the Finnish epic, Kalevala , the hero, Wainamoinen, is sailing with his friends to Pohjola, where he intends to recover the Sampo, a talisman of good luck and extraordinary, mysterious power. No one today quite knows what the Sampo was, but many of the episodes of…
Chaucer, like Shakespeare after him, set some of his poems in ancient Greece. The “Knight's Tale” takes place in Athens, ruled by the same “Duke” Theseus who rules Athens in Midsummer Nights Dream . Troilus and Cresyde is a Trojan love tragedy. Neither of these works, however, shows much deep…
According to C. S. Lewis ( English Literature in the Sixteenth Century , 27-28), English humanists were most interested in style, but the style was mostly Latin: “Greek was given abundance of ‘mouth honor,’ but only the minor Greek authors (Plutarch, Heliodrous, Chilles Tatius, the Anthology) were really relished. Greek…
Emily, the lady-love of Chaucer's “Knight's Tale,” the first of the Canterbury Tales, appears in a garden, and the poet describes her as if where were part of the garden. She is Eve in Eden. But this is no Edenic world. The men who see her are locked out of…
Tragic stories are fall stories. Whether through moral wrong or through some inadvertent hamartia , the tragic hero falls from a high place. Others are engulfed in the tragedy to one extent or another, but not everyone. Those who watch can experience the catharsis of pity and fear by watching…
C S. Lewis describes the formation of medieval allegorism in his classic Allegory of Love . He begins by distinguishing between an allegorical and a sacramental or symbolic turn of mind. Allegory begins, he says, with “an immaterial fact, such as the passions which you actually experience” and finds ways…
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