Explore our collection of theological essays, biblical studies, and reflections on faith and culture.
1. Come, Ye Thankful People, Come. This hymn by Henry Alford is found in many hymnals, including Cantus Christi . Yet, the last stanza radically contradicts the theological perspective of the historic faith and of the editors of this hymnal. It is a witness to how we tend to bounce…
This series of post were originally published at the Biblical Horizons blog. The entire paper can be downloaded HERE . 7. The Literary Shape of the Covenant As we have seen, there is a succession of covenants in the Bible, each more glorious than the previous, each absorbing and transfiguring…
This series of post were originally published at the Biblical Horizons blog. The entire paper can be downloaded HERE . 6. Covenant Phases in the Bible Thus far we have spoken of only three phases in the history of the one covenant. We must now divide the third phase into…
This series of post were originally published at the Biblical Horizons blog. The entire paper can be downloaded HERE . 5. Priest, King, and Prophet We can begin with the phrase “prophet, priest, and king.” This is the order normally heard from preachers and theologians. But it is not really…
This is a fine hymn by John Mason Neale, based on an ancient Greek church hymn. The opening question is particularly powerful: “Christian, dost thou see them on the holy ground, how the powers of darkness compass thee around?” Yes, the devil strikes in the very church and her worship…
This syrupy piece of marijuana-haze hymnody is found in the hymnals of churches that have substituted sentiment for orthodoxy and worship. Hence you don’t find it in older Presbyterian hymnals, but in the Trinity Hymnal. Nor do you find it in Episcopal and Lutheran hymnals until very recently in some…
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In his TLS review of Kathryn Walls’s study of the symbolism of Una in Spenser’s Faerie Queene ( God’s Only Daughter ), Bart van Es compares Walls’s book to that of John Dixon, a sixteenth century farmer who annotated his copy of Spenser: “Like Dixon, Walls takes the Bible and…
When John enters heaven (Revelation 4), He sees the Enthronement as a precious stone, a stone glowing with light, a stone that sparkles like a star, and He is surrounded with a rainbow that is also described as a precious stone. Specifically, the stone is the emerald. This is the…
In his Caused to Believe , William Bonney follows up suggestions from Charles Giblin regarding the structure of John’s prologue and the structural connections between the prologue and the gospel. Giblin finds what he calls an X-Y pattern in the prologue: “The X of this pattern encompasses verses 1–13. The…
In the latest issue of the International Journal of Systematic Theology , the redoubtable and hyper-productive Matthew Levering probes Augustine’s arguments (in de Trinitate ) for concluding that the Spirit is “love” and “gift.” As Levering points out, the identifications are not straightforwardly asserted anywhere in Scripture, yet Augustine makes…
God’s throne in heaven, like Sinai, flashes with lightning, crashes with thunder (Revelation 4:5). Those throne phenomena are repeated at crucial seams in the book of Revelation, with additions. After the seventh seal, an angel throws fire to earth, which reproduces the heavenly throne on earth (8:5)—thunder, sounds, lightning, with…
Christians walk into church through a door. All of them can come in. There’s no restricted access. Inside, there’s a lectern with a Bible, a table with food, a pastor in white. In some churches, the aroma of incense fills the air. It’s the holy place; in fact, the most…
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