Explore our collection of theological essays, biblical studies, and reflections on faith and culture.
Ten-thousand ‘yeses’ and a single ‘no.’ From bough it dangles, beauty to the eyes, For belly, food, a fruit to make one wise. Too soon, they eat; they know; the leaves they sew, But, oh! the Love who asks, “Where did you go?” Confessions flow from under leaf’s disguise; A…
In his masterful work, De Doctrina Christiana , Augustine of Hippo writes: I would have learned men to know that the authors of our Scriptures use all those forms of expression which grammarians call by the Greek name tropes, and use them more freely and in greater variety than people…
“In accordance with the creation pattern, God sovereignly took hold of Adam and put him to sleep. Then God divided Adam by removing flesh and bone from his side, and restructured humanity into male and female. When Adam awoke, God distributed the woman to him. Adam gazed upon her and…
Greta Gerwig’s new film, Barbie, has been criticized, probably rightly, for having too many ideas and layers to properly bring in any for a landing. Gerwig herself thought the script was so “ wild and anarchic ” that she was surprised WB agreed to make it. Many see it as…
“Now John wore a garment of camel’s hair and a leather belt around his waist, and his food was locusts and wild honey” (Matt. 3:4). Why is John the Baptizer clothed with camel’s hair? Why does he want to look like a camel? Or at least: what does he expect…
In the second greatest story ever told, The Brothers Karamazov , Fyodor Dostoyevsky tells the story of a family plagued by the lasting legacy of sin’s destructive power and the all-surpassing truth that God is Light and in Him is no darkness. The young protagonist, Alyosha, is a monk committed…
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In his TLS review of Kathryn Walls’s study of the symbolism of Una in Spenser’s Faerie Queene ( God’s Only Daughter ), Bart van Es compares Walls’s book to that of John Dixon, a sixteenth century farmer who annotated his copy of Spenser: “Like Dixon, Walls takes the Bible and…
When John enters heaven (Revelation 4), He sees the Enthronement as a precious stone, a stone glowing with light, a stone that sparkles like a star, and He is surrounded with a rainbow that is also described as a precious stone. Specifically, the stone is the emerald. This is the…
In his Caused to Believe , William Bonney follows up suggestions from Charles Giblin regarding the structure of John’s prologue and the structural connections between the prologue and the gospel. Giblin finds what he calls an X-Y pattern in the prologue: “The X of this pattern encompasses verses 1–13. The…
In the latest issue of the International Journal of Systematic Theology , the redoubtable and hyper-productive Matthew Levering probes Augustine’s arguments (in de Trinitate ) for concluding that the Spirit is “love” and “gift.” As Levering points out, the identifications are not straightforwardly asserted anywhere in Scripture, yet Augustine makes…
God’s throne in heaven, like Sinai, flashes with lightning, crashes with thunder (Revelation 4:5). Those throne phenomena are repeated at crucial seams in the book of Revelation, with additions. After the seventh seal, an angel throws fire to earth, which reproduces the heavenly throne on earth (8:5)—thunder, sounds, lightning, with…
Christians walk into church through a door. All of them can come in. There’s no restricted access. Inside, there’s a lectern with a Bible, a table with food, a pastor in white. In some churches, the aroma of incense fills the air. It’s the holy place; in fact, the most…
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