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Luke

Table Talk

Along His journey to Jerusalem, Jesus stops frequently to have meals, three times with Pharisees (7:37-50; 11:37-54; 14:1-35). Meals were central to Jesus’ ministry. He comes “eating and drinking” (Luke 7:34). While His meals are not just for refreshment, they are opportunities for teaching the protocols of the kingdom. Meals…

by Peter LeithartApril 19, 2016
music-violin
Biblical Theology

A Musical Case for Typological Realism, (Part 4)

Time as a realm of participation can be difficult for us imaginatively to grasp. While music is a profoundly temporal art, exploring the medium of time like no other, most of our temporal experience seems decidedly unmusical in character, disjointed and unorchestrated. The form in which we naturally discover time…

by Alastair RobertsApril 14, 2016
John

Jesus' Burial Clothes

John devotes much attention to Jesus’ burial clothes. He tells us that Nicodemus brought about a hundred pounds of myrrh and aloes to spice Jesus body, and that He was bound in linen wrappings. We find out that His body and His head were wrapped separately. (John 19:39-40; 20:6-7). When…

by James B. JordanApril 12, 2016
clock
Biblical Theology

A Musical Case for Typological Realism, (Part 3)

Thinking about time in terms of music also helps us to appreciate its unity and inner relations. Henri Bergson observes our cultural habit of dividing time into discrete moments, and conceiving of these as if akin to objects in a spatial succession. [1] Against such a notion, Bergson argues for…

by Alastair RobertsApril 7, 2016
screen-shot-2016-03-31-at-9-32-11-am
Biblical Theology

A Musical Case for Typological Realism, (Part 2)

As we attend to these and other aspects of music’s temporality, Begbie suggests, we will find means by which to resist some of our habitual modern ways of conceptualizing time, most especially our tendency to conceive of time as if it were a homogeneous set of technologically quantifiable units laid…

by Alastair RobertsMarch 31, 2016
biblioteca-vasconcelos-crop
Biblical Theology

Systematic Typology (Part Three)

The Hidden Dimension In many fields of scientific study, the apparent complications and contradictions are dispelled once the internal logic is perceived. Biblical hermeneutics is no different, since the author of Creation is the Author of the Word. The Bible’s literary labyrinth radiates organically from an algorithm so simple it…

by Mike BullMarch 29, 2016

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Uncategorized

Practical Texts?

Are the ritual texts of Leviticus “practical” texts designed to guide priests and people in sacrificial and other rituals? If so, argues Leigh Trevaskis in Holiness, Ethics, and Ritual in Leviticus , they don’t do a very good job of it. Too much is left out, and things that are…

April 1, 2014
Uncategorized

Adam Israel

In a few places, Leviticus uses the Hebrew word adam to refer to “any person.” Why adam ? Most commentators suggest that it’s to emphasize sexual inclusiveness. Trevaskis ( Holiness, Ethics, and Ritual in Leviticus ) thinks there’s more. He points out that the tabernacle is an architectural garden of…

April 1, 2014

Presiding at Death

In his masterful study of ancient Greek Miasma , Robert Parker notes death was intensely defiling: “Extramural burial was the norm in almost all classical Greek cities. It would be shocking to mingle the dwellings of the dead with those of the living, still more with those of the gods”…

April 1, 2014

Disturbance

A.A. van Ruler argues that “Israel is the great disturbing factor in the paganism of the world’s nations,” and the church follows Israel’s path ( Calvinist Trinitarianism and Theocentric Politics , 152-3). This is partly because Christianity “is wholly and completely oriented to concrete, visible reality,” since it “thinks and…

April 1, 2014

Sympathy for the Devil

Brian Mattson of the Center for Cultural Leadership offers a lively, compelling analysis of Darren Aronofsky’s Noah . He shows that the film is consistent and sticks close to its sources. The only problem is that Aronofsky’s sources are Kabbalic and Gnostic. Mattson writes, “The world of Aronofsky’s Noah is…

April 1, 2014

Polyphonic Hedgehog

I state a thesis: Dostoevsky is a polyphonic hedgehog. The subthesis is that Tolstoy is a monologic fox. The second part of that comparison comes from Isaiah Berlin’s The Hedgehog and the Fox . Berlin cites the Greek poet Archilochus’s dictum, “A fox knows many things; a hedgehog knows one…

March 31, 2014

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