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Writing

Explore our collection of theological essays, biblical studies, and reflections on faith and culture.

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Poetry

Seed-bearing Fruit

Ten-thousand ‘yeses’ and a single ‘no.’ From bough it dangles, beauty to the eyes, For belly, food, a fruit to make one wise. Too soon, they eat; they know; the leaves they sew, But, oh! the Love who asks, “Where did you go?” Confessions flow from under leaf’s disguise; A…

by Marc HaysAugust 16, 2023
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Augustine

Eternal Life Chiasm in John's Gospel

In his masterful work, De Doctrina Christiana , Augustine of Hippo writes: I would have learned men to know that the authors of our Scriptures use all those forms of expression which grammarians call by the Greek name tropes, and use them more freely and in greater variety than people…

by Doug PonderAugust 15, 2023
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Ruth

Lot, Ruth, and the Work of New Creation

“In accordance with the creation pattern, God sovereignly took hold of Adam and put him to sleep. Then God divided Adam by removing flesh and bone from his side, and restructured humanity into male and female. When Adam awoke, God distributed the woman to him. Adam gazed upon her and…

by Josh JensenAugust 8, 2023
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Culture

The Barbie Movie

Greta Gerwig’s new film, Barbie, has been criticized, probably rightly, for having too many ideas and layers to properly bring in any for a landing. Gerwig herself thought the script was so “ wild and anarchic ” that she was surprised WB agreed to make it. Many see it as…

by Robin HarrisAugust 1, 2023
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Matthew

Why Does John the Baptizer Look Like a Camel?

“Now John wore a garment of camel’s hair and a leather belt around his waist, and his food was locusts and wild honey” (Matt. 3:4). Why is John the Baptizer clothed with camel’s hair? Why does he want to look like a camel? Or at least: what does he expect…

by Jeff MeyersJuly 26, 2023
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Literature

Stinking, Rotten Ministers of the Gospel

In the second greatest story ever told, The Brothers Karamazov , Fyodor Dostoyevsky tells the story of a family plagued by the lasting legacy of sin’s destructive power and the all-surpassing truth that God is Light and in Him is no darkness. The young protagonist, Alyosha, is a monk committed…

by Garrett SoucyJuly 18, 2023

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Art

Cubist Realism

From the Renaissance to the early twentieth century, “almost all painting had obeyed a convention: that of one-point perspective,” says Robert Hughes ( The Shock of the New , 16-7). Renaissance perspective has come to seem natural, just the way we actually see, but Hughes points out that it is…

March 20, 2013

Unclassifiable

Jody Bottum nicely captures the unclassifiability of the new Pope: “He is an advocate of the poor who has consistently opposed the Argentinian government’s ostensible programs for the poor. A social activist who rejects most social reform. A churchman who refused many of the elaborate trappings of his office while…

March 20, 2013

Law and History

The second installment of Pastor Ralph Smith’s series of studies in Deuteronomy is up on the Trinity House site this morning.

March 20, 2013

Rule of the Old

What other institution on the planet produces as many impressive old men as the Catholic church? Francis is 76. Joseph Ratzinger was nearly 80 when he became Benedict XVI. Not yet 60, John Paul II was a kid when he started the second-longest Papacy in history, but he was 85…

March 20, 2013

Restoration of Israel

Even the inattentive see that Jesus’ ministry focused on what He described as the coming of the “reign of God.” In his recently republished The Aims of Jesus , Ben F. Meyer puts some concreteness to that by emphasizing “that the reign of God as imminent meant the imminent restoration…

March 20, 2013

Humanizing the end

In his contribution to The Apocalypse in English Renaissance Thought and Literature , Joseph Wittreich examines the apocalyptic elements of King Lear . Shakespeare doesn’t hold, he thinks, to traditionally Christian views of the end, nor does he want to turn the apocalyptic framework into a fixed law of history.…

March 19, 2013

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