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Writing

Explore our collection of theological essays, biblical studies, and reflections on faith and culture.

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Poetry

Seed-bearing Fruit

Ten-thousand ‘yeses’ and a single ‘no.’ From bough it dangles, beauty to the eyes, For belly, food, a fruit to make one wise. Too soon, they eat; they know; the leaves they sew, But, oh! the Love who asks, “Where did you go?” Confessions flow from under leaf’s disguise; A…

by Marc HaysAugust 16, 2023
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Augustine

Eternal Life Chiasm in John's Gospel

In his masterful work, De Doctrina Christiana , Augustine of Hippo writes: I would have learned men to know that the authors of our Scriptures use all those forms of expression which grammarians call by the Greek name tropes, and use them more freely and in greater variety than people…

by Doug PonderAugust 15, 2023
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Ruth

Lot, Ruth, and the Work of New Creation

“In accordance with the creation pattern, God sovereignly took hold of Adam and put him to sleep. Then God divided Adam by removing flesh and bone from his side, and restructured humanity into male and female. When Adam awoke, God distributed the woman to him. Adam gazed upon her and…

by Josh JensenAugust 8, 2023
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Culture

The Barbie Movie

Greta Gerwig’s new film, Barbie, has been criticized, probably rightly, for having too many ideas and layers to properly bring in any for a landing. Gerwig herself thought the script was so “ wild and anarchic ” that she was surprised WB agreed to make it. Many see it as…

by Robin HarrisAugust 1, 2023
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Matthew

Why Does John the Baptizer Look Like a Camel?

“Now John wore a garment of camel’s hair and a leather belt around his waist, and his food was locusts and wild honey” (Matt. 3:4). Why is John the Baptizer clothed with camel’s hair? Why does he want to look like a camel? Or at least: what does he expect…

by Jeff MeyersJuly 26, 2023
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Literature

Stinking, Rotten Ministers of the Gospel

In the second greatest story ever told, The Brothers Karamazov , Fyodor Dostoyevsky tells the story of a family plagued by the lasting legacy of sin’s destructive power and the all-surpassing truth that God is Light and in Him is no darkness. The young protagonist, Alyosha, is a monk committed…

by Garrett SoucyJuly 18, 2023

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Settling In

Welcome to the blog formerly known as Leithart.com. Readers of the earlier incarnation of my blog will, I trust, find the new site comfortably familiar. The contents will be consistent with what I have written over the years. Over to your right you’ll find a drop-down list of archives and…

October 30, 2012

Draw near to hear

“Come near,” Yahweh invites Israel (Isaiah 48:16). The verb is qarab , a liturgically charged term used frequently in Leviticus. Especially in Leviticus 1, various forms of the word describe what worship is for (drawing near, qarab ), what Israel does with its offerings (a different form of the verb),…

October 26, 2012

Musical evangelism

When Yahweh urges Israel to “go forth from Babylon” and “flee from the Chaldeans,” He also exhorts them sing and shout (Isaiah 48:20). The songs of deliverance are not merely expressions of joy, though they are obviously that. They are also declarations of Yahweh’s redemption. The text uses three verbs…

October 26, 2012
Theology

Voice of the Martyrs

I have some thoughts on how we non-martyrs share in the work of martyrs at www.firstthings.com .

October 26, 2012

Trinity Institute: Norman Shepherd Says

On three different occasions I have had the privilege of sitting under Jim Jordan and Peter Leithart as they have lectured for the annual Biblical Horizons conference in Florida. Each time I have come away from these conferences with new insight into the teaching of God’s word, and rejoicing in…

October 25, 2012

Trinity Institute: A Student Perspective

The year I spent in Dr. Leithart’s classroom was rich, challenging, and formative. Although I was firmly grounded in the truth of Scripture before, I had grown blind to its beauty. It was Dr. Leithart’s emphasis on reading the Bible as a story—paying attention to its themes, motifs, and type-scenes—that…

October 22, 2012

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