Explore our collection of theological essays, biblical studies, and reflections on faith and culture.
This series of post were originally published at the Biblical Horizons blog. The entire paper can be downloaded HERE . 4. The Three Basic Phases of the Covenant We have introduced the three phases of the covenant, from childhood to adulthood to full maturity. Let us look more fully at…
This series of post were originally published at the Biblical Horizons blog. The entire paper can be downloaded HERE . 3. Covenant Maturation Let us now turn to the application of this One Eternal Covenant into history. We have been looking at Covenant Theology. Covenant Theology has to do with…
Hymn Bark is a series designed to purify our good hymns from errors, and purge some bad ones. Here is chapter 2: Not really much wrong with this hymn, though I wish musicians would teach the congregation how to sing it. Routinely the note at the end of line 3…
I begin here a series of criticisms of hymns commonly sung in Reformed and Presbyterian circles. I begin with the hymn “I bind myself,” commonly called “The Lorica. There is only one textual problem with the usual sung version of this, and that is the phrase “eternal rocks.” Obviously that…
This series of post were originally published at the Biblical Horizons blog. The entire paper can be downloaded HERE . 2. What is the Covenant? There are many and varied descriptions of what the Bible means by the word “covenant” (Hebrew: berith). We are tempted to write that there are…
This series of post were originally published at the Biblical Horizons blog. The entire paper can be downloaded HERE . 1. What is Meant by Biblical Theology “Theology” is language (logos) about God (theos). We can distinguish two broad kinds of theology: Biblical Theology and Ecclesiastical Theology. Biblical Theology concerns…
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There’s an interview regarding by recent book on empire at http://thegospelcoalition.org/blogs/trevinwax/ this morning.
Shylock has been played for sympathy frequently in the past century. But the sense that his character fits badly in a comedy is an old one. Already in 1709, Nicholas Rowe wrote, “Tho’ we have seen that Play Receiv’d and Acted as a Comedy, and the Part of the Jew…
In an old article in the Shakespeare Quarterly , Barbara Lewalski suggests that Merchant of Venice is a moralistic allegory depicting the character of Christian love. In the play, Christian love involves “giving and forgiving: it demands an attitude of carelessness regarding the things of this world founded upon a…
Mahood again ( The Merchant of Venice (The New Cambridge Shakespeare) ), describing Shakespeare’s and Shylock’s use of the gospels in the play (p. 198-9). “On Shylock’s first meeting with Bassanio, his detestation of the Christians breaks out in the dactylic rhythm and harsh consonants of ’ to eat of…
In an appendix to his edition of The Merchant of Venice (The New Cambridge Shakespeare) (pp. 197-8) , M. M. Mahood explores Shakespeare’s use of the Bible in the play. He notes the extensive echoes of the Jacob narrative, some explicit some not so much. “Shakespeare is unlikely ever to…
Should we love God disinterestedly, without expectation or desire for return from Him, without any desire for happiness? It’s a common idea, but Milbank rightly argues against it. He asks “what constitutes God’s loveability”? His answer” “every charm, every attractive feature of anything whatsoever, radiates outwards, rendering things apprehensible and…
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