Explore our collection of theological essays, biblical studies, and reflections on faith and culture.
Every attempt to understand the Christian sacraments makes use of comparisons or analogies with other rituals, events, or customs. Calvin and those who followed him, for example, spoke of the sacraments as “seals,” and compared them to the “seal of approval” that an official impresses on a document. Thinking about…
Eugen Rosenstock-Huessy has pointed out in his essay "Hitler and Israel, or On Prayer" (available for $2.00 from Biblical Horizons ) that it is God’s word "No!" that establishes in a culture the distinction between the Creator and the creature. The Bible repeatedly says "No!" to every human attempt to…
If you missed Gattaca at the movie theaters, you can probably check it out from your local video store now. And you should. This is one of those relatively rare thought-provoking movies that can stand being watched with brain in gear more than once. It is also poetic, sensitive, visually…
Part 4: The Nephilim Factor Western Civilization partakes of what I call "the Nephilim Factor." The Enoch Factor means that the pagans get there first. This is both a blessing and a danger. As a blessing, it means that they work out techniques of dominion over the lower creation that…
The Worship Service Then the one speaking with me took me by the hair and lifted me into the air in the middle of the great room. And as I watched, I saw people entering the room to the sound of the great bells outside. Then entered from all four…
Part 3: Philosophy (continued) If we realize that human beings are the images of God, and that man hates God, then we realize that all non-Christian political philosophy is founded on a fundamental hatred of other human beings, a hatred manifest in contempt. Rome, like Enoch, was founded on the…
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There’s an interview regarding by recent book on empire at http://thegospelcoalition.org/blogs/trevinwax/ this morning.
Shylock has been played for sympathy frequently in the past century. But the sense that his character fits badly in a comedy is an old one. Already in 1709, Nicholas Rowe wrote, “Tho’ we have seen that Play Receiv’d and Acted as a Comedy, and the Part of the Jew…
In an old article in the Shakespeare Quarterly , Barbara Lewalski suggests that Merchant of Venice is a moralistic allegory depicting the character of Christian love. In the play, Christian love involves “giving and forgiving: it demands an attitude of carelessness regarding the things of this world founded upon a…
Mahood again ( The Merchant of Venice (The New Cambridge Shakespeare) ), describing Shakespeare’s and Shylock’s use of the gospels in the play (p. 198-9). “On Shylock’s first meeting with Bassanio, his detestation of the Christians breaks out in the dactylic rhythm and harsh consonants of ’ to eat of…
In an appendix to his edition of The Merchant of Venice (The New Cambridge Shakespeare) (pp. 197-8) , M. M. Mahood explores Shakespeare’s use of the Bible in the play. He notes the extensive echoes of the Jacob narrative, some explicit some not so much. “Shakespeare is unlikely ever to…
Should we love God disinterestedly, without expectation or desire for return from Him, without any desire for happiness? It’s a common idea, but Milbank rightly argues against it. He asks “what constitutes God’s loveability”? His answer” “every charm, every attractive feature of anything whatsoever, radiates outwards, rendering things apprehensible and…
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