Explore our collection of theological essays, biblical studies, and reflections on faith and culture.
In the beginning, this was home. The world, I mean. Creation wasn’t just a series of unconnected events, a flashy display of building prowess. Yes, creation was intended to give God glory—which I guess you could say means that the creation was supposed to show the greatness—the weight —of God.…
We think we know. God is a stern Rule-Maker who has a bit of an anger management problem. Or, God is the indulgent Daddy in the sky. Or, God used to be a stern Ruler, but he got nice. Christians don't believe any of that. Christians say the one God…
Unfortunately today, baptism seems so… tiny . It’s actually… cute (maybe sweet?) when it’s given to a child. A little baby, a small gathering of people, a little bowl of water, tiny drops sprinkled upon the little baby’s head followed by a small applause and a short prayer. How… small!…
Early on in the history of the church, Christians understood that the 1st century Jewish practice of meeting for prayer at set times of the day was a good and biblical practice to continue. We find references to this in several places in Scripture. In Acts 3 we find Peter…
Editors’ note: For those interested in a review of Richard Hays’s latest book, see here . Richard Hays is a renowned New Testament scholar. The professor of New Testament at Duke Divinity School originally studied English literature, giving his reading of Scripture a pronounced literary sensibility. He’s perhaps best known…
As many commentators point out, Genesis is structured by 10 uses of the word toledoth , "generations." The word means something along the lines of "begotten things," and the toledoth statements head the various sections of Genesis. When Genesis 2:4 announces "these are the begettings of heaven and earth" and…
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Plays might be promoted as a kind of opiate of the masses: Mass entertainment that keeps them from more violent entertainments like rioting and pillaging. This could be problematic, if the entertainments were too heady for most people to follow. Thomas Heywood (1612) suggested that playwrights should “ayme . .…
How regulated was Shakespeare’s own theater? And for what reasons? Patterson highlights various reasons for closing or permitting theaters: audience composition, including the fear that a large collection of workers might be distruptive; public health; economic concerns; religious and moral concerns, especially Sabbatarian; and “a shifting and elusive imperative to…
Shakespeare’s fortunes in the US were, understandably, different from in England. Initially, Shakespeare was America’s most popular playwright, appealing to a wide sector of the American populace. Patterson notes that “by the end of the nineteenth century ‘Shakespeare’ had become a cultural icon, the property only of the ‘legitimate theater,’…
Annabel Patterson notes ( Shakespeare and the Popular Voice ) that contemporary critics, whatever their own political outlook, assume that Shakespeare was an advocate of Elizabethan hierarchy. This view, however, is a product of the 19th century. Dryden, Johnson, and others criticize Shakespeare for violating the conventions of his genre,…
By the 18th century, acting styles also invested Shakespeare with “courtly” virtues of control, dignity, stateliness. Dobson writes, “Shakespearian acting . . . in the decades following Betterton’s death in 1710, seems to have settled into a grandiloquent vein of static declamation, best exemplified by the stout James Quin (1693-1766)…
Dobson again: “after Charles II’s death in 1685 England would never again have another monarch with such an informed interest in the drama (or, mercifully, such a lascivious one), and deprived of royal patronage and protection the playhouses came under renewed attack from the moralists (led by the redoubtable clergyman…
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